Three song-swipe ads are prepped up to video: songs locked, storyboards on the song clock, cast and place sheets, every canvas reviewed (and repaired where wrong), and Kling 4.0 prompts ready at 1080p. No video has been generated.
| Song | Swipe of | Length | Clips | Video estimate (1080p, 1 take/clip) |
|---|---|---|---|---|
| 1. Here's Exactly What's Gonna Happen | Polar (1.4M/mo) | 146 s | 11 | ~2,012 Kling credits (~$31) |
| 2. Nobody Who's Deaf | Blushe (147k/mo) | 158 s | 12 | ~2,200 (~$33) |
| 3. Ask Her | Enhanced Scents (335k/mo) | 183 s | 15 | ~2,552 (~$39) |
| Total | 38 | ~6,764 |
Kling balance: 6,050 credits, about 714 short of running all three. Stills burned ~6,700 Kling credits at ~70 each before the switch to kie (logged). Options: top up ~1,000 Kling credits, or run songs 1 + 2 first (~4,212) and song 3 after a top-up.
Approve to run: the Kling prompts below (one per clip, under each canvas). Each clip is one take, reviewed before any re-roll.
Top risks to watch on video: band close-ups drifting into a smartwatch (all are drawn on canvases with both band photos attached); mouths moving on narration lines (Kling audio muted anyway); stylized shots in song 1 (sound waves, arm glow) may garble — fallback is a plain band close-up; song 3's Malik reads closer to 12 than 14; songs 1 and 2 each cast their own "Jen" as Leo's mom (separate ads, different looks). Songs sing "$69.98 for two" — live price test, check before publishing.
Swipe of Polar · 1.4M visits/mo · #3 of 714 · 139 d
Source: upbeat acoustic pop, young woman narrating about "a woman" (third person), 3D animated; 315 words / 132 s = 2.39 wps; loose rhymed couplets. Lands on presell /pages/instantly-reverse-grays.
Beats: "If [she does the usual fix] today, here's exactly what happens [later]" → the fix fails → next fix (salon), money and hours, fails again → next fix (spray), works for hours, backfires → every retry makes it worse → "If she used [product] instead, a different story" → ingredient-by-ingredient mechanism → why it lasts → no harsh line, no regrowth → value per bottle → "she'd stop chasing" → discount + free gift → "Link below. That's real."
Why it fits: the same failed-fix spiral every Dawn buyer lives (91% woke the kid themselves, 80% tried phone alarms on full volume), told as a prediction.
| # | Polar (verbatim) | Dawn |
|---|---|---|
| 1 | If a woman dyes her grays with box dye today, | If your teen sets six alarms on his phone tonight, |
| 2 | here's exactly what's gonna happen two weeks away. | here's exactly what's gonna happen at six-thirty, right on time. |
| 3 | She'll see roots again coming back into sight. | All six go off, and the whole house wakes up but him. |
| 4 | So she thinks, "Fine, a salon will fix this right." | So you think, "Fine, a louder clock will fix this right." |
| 5 | She spends two hundred and three hours in a chair, | You spend forty bucks and a week of nights, |
| 6 | and fourteen days later, roots are back in her hair. | and fourteen days later, he sleeps through that one too. |
| 7 | Color already fading to brassy orange and gold. | Late slips already stacking up, three this week alone. |
| 8 | So she tries a root spray, does what she's told. | So you wake him yourself, like every mom is told. |
| 9 | It covers her gray for about eight hours flat. | It works for about a minute flat. |
| 10 | Then transfers to her pillow and her shirt collar just like that. | Then he's back under the blanket, just like that. |
| 11 | And every time she dyes again, the damage starts to show. | And every time you yell again, the damage starts to show. |
| 12 | Hair getting thinner, drier with every single go. | Mornings getting meaner, a fight with every single go. |
| 13 | If she used Polar instead, it's a different story told. | If he wore a Dawn Band instead, it's a different story told. |
| 14 | She'd cover her grays in ten minutes, no waiting in the cold. | He'd be up in two minutes, nobody yelling down the hall. |
| 15 | An ammonia-free shampoo with natural ingredients designed to hold onto color longer, the kind that's hard to find. | A silent band on his wrist, no app, no phone in bed, made to wake the kid no alarm can find. |
| 16 | Ginseng to strengthen the strand from within. | It buzzes on his skin, not in his ears. |
| 17 | So color or grays in time. Matcha sitting on the skin. | Three times stronger than a smartwatch buzz. |
| 18 | Reishi mushroom to fight oxidation at the source. That's what turns your color brassy, fading off its course. | His sleeping brain treats sound like spam, at the source. That's what kept him late, morning after morning, off course. |
| 19 | And jojoba oil to smooth and seal the strand so tight. Color stays locked in longer looking right. | Three alarms set right on the band: school, practice, backup, set it tight. He wakes himself up, every morning, right. |
| 20 | The shampoo deposits color into the hair shaft deep, not just on top of it. Color it won't keep. | The band reaches him through touch, deep, not through the noise his brain won't keep. |
| 21 | That's why coverage lasts forty-six weeks, not two. | That's why it still works in week twelve, not just week two. |
| 22 | And when it fades, it fades gradually. No harsh lines breaking through. | It starts gentle and gets stronger until he's up. No blaring breaking through. |
| 23 | No brassy streaks, no ugly growth showing at the root. | No sister woken, no pounding on the door, no you in the doorway in your robe. |
| 24 | One bottle gives her ten to fifteen uses, and that's no small pursuit. | One charge lasts about two weeks, and that's no small pursuit. |
| 25 | She'd stop chasing her grays. They'd just stay covered, done. | You'd stop chasing his mornings. He'd just be up, done. |
| 26 | Fifty-three percent off right now. And that's not all you want. | Sixty-night wake-up guarantee right now. And that's not all you want. |
| 27 | They include a free color protect conditioner in the deal to extend your color even longer. | It wakes him or you don't pay, and two bands are sixty-nine ninety-eight, one for each kid. |
| 28 | Link below. That's real. That's real. That's real. | Link below. That's real. That's real. That's real. |
On-screen 0-3 s: Here's what 6 alarms do at 6:30 tomorrow
Suno style: upbeat acoustic pop, female vocalist mid-20s, bright storytelling delivery, strummed guitar and handclaps, 105 bpm, loose rhymed couplets, lift on "If he wore a Dawn Band instead", spoken-sung tag "That's real" ×3 · negative: rap, autotune, EDM, ballad, male vocals
Song: songs/cut/s1-take2.mp3 (146.22 s). Times are the sung span on that clock, taken from s1-take2.words.json.
The singer is off screen and addresses "you" (Jen, the mom). She never appears, so there is no TO-CAMERA line: nobody looks into the lens.
Rule for every NARRATION line: every on-screen mouth stays closed. People act the line out; nobody lip-syncs the song or looks at camera.
| # | Sung (s) | Lyric as sung | Tag | How it plays on screen |
|---|---|---|---|---|
| 1 | 0.30-3.48 | If your teen set six alarms on his phone tonight, | NARRATION | Leo sets six alarms on his phone in bed |
| 2 | 3.94-8.20 | here's exactly what's gonna happen at six thirty, right on time. | NARRATION | night to dawn; phone lights "6:30 AM" |
| 3 | 8.76-12.68 | All six go off and the whole house wakes up but him. | NARRATION | Jen + Mia in the doorway, ears covered; Leo snores |
| 4a | 12.80-13.36 | So you think, | NARRATION | Jen narrows her eyes in the doorway |
| 4b | 13.50-16.18 | "Fine, a louder clock will fix this, right?" | INNER THOUGHT (Jen) | close-up, lips closed, wordless thought bubble with a giant twin-bell clock (mirrors Polar's thought bubble at 0:07). It is Jen's thought, so nobody lip-syncs it: not QUOTED |
| 5 | 17.40-21.94 | You spend forty bucks and a week of nights, | NARRATION | Jen unboxes the bell clock; sets it nightly |
| 6 | 21.98-25.38 | and fourteen days later, he sleeps through that one too. | NARRATION | bell clock clangs at 6:30; Leo sleeps on |
| 7 | 26.54-31.02 | Late slips already stacking up, three this week alone. | NARRATION | third pink slip on the fridge; Jen sags |
| 8 | 31.40-34.68 | So you wake him yourself like every mom is told. | NARRATION | Jen shakes Leo awake |
| 9 | 36.32-38.44 | It works for about a minute flat, | NARRATION | Leo sits up, groggy |
| 10 | 38.56-40.80 | then he's back under the blanket just like that. | NARRATION | Leo yanks the quilt back over his head |
| 11 | 40.84-43.68 | And every time you yell again, the damage starts to show. | NARRATION | Jen yells from the doorway, seen from BEHIND (mouth hidden, so it cannot read as lip-sync); Leo glares |
| ad-lib | 44.66-45.62 | Oh-oh. | NARRATION | Jen's temples reaction |
| 12 | 45.68-49.18 | Mornings getting meaner, a fight with every single go. | NARRATION | kitchen stand-off, silent glares |
| 13 | 49.44-54.14 | If he wore a Dawn Band instead, it's a different story told. | NARRATION | Jen fastens the band at night; night to dawn |
| 14 | 54.18-58.52 | He'd be up in two minutes, nobody yelling down the hall. | NARRATION | band lights 06:30, Leo sits up; quiet hallway |
| 15 | 58.60-64.26 | A silent band on his wrist, no app, no phone in bed. Made to wake the kid no alarm can find. | NARRATION | phone dark on the desk; Leo opens the blinds himself |
| 16 | 64.34-67.62 | It buzzes on his skin, not in his ears. | NARRATION | band macro ripples; silent ear close-up |
| 17 | 67.66-71.24 | Three times stronger than a smartwatch buzz. | NARRATION | stronger ripples, eyes snap open (no smartwatch drawn) |
| 18a | 72.24-76.78 | His sleeping brain treats sound like spam at the source. | NARRATION | stylized: alarm sound rings bounce off a glassy bubble round his head |
| 18b | 76.86-81.28 | That's what kept him late, morning after morning, off course. | NARRATION | flashback: Leo sprints out late (no band yet) |
| 19a | 81.36-85.66 | Three alarms set right on the band. School, practice, backup set it tight. | NARRATION | band "06:30" at night; Leo snugs the strap |
| 19b | 85.96-89.38 | He wakes himself up every morning right. | NARRATION | dawn: he sits up on his own |
| 20 | 90.40-95.64 | The band reaches him through touch deep, not through the noise his brain won't keep. | NARRATION | glow travels from band up the arm; sound ring fizzles at his ear |
| 21 | 95.70-99.66 | That's why it still works in week twelve, not just week two. | NARRATION | seasons change outside the window while he wakes |
| 22a | 99.74-104.48 | It starts gentle and gets stronger until he's up. | NARRATION | ripples gentle then strong; feet on the floor |
| 22b | 104.56-107.66 | No blaring breaking through. | NARRATION | silent room, bell clock in the bin |
| 23 | 108.80-114.50 | No sister woken, no pounding on the door. No you in the doorway in your robe. | NARRATION | Mia asleep; Jen walks past Leo's door; the robe hangs on a hook |
| 24 | 114.54-118.52 | One charge lasts about two weeks, and that's no small pursuit. | NARRATION | kitchen breakfast, band on Leo's wrist |
| 25 | 118.60-122.48 | You'd stop chasing his mornings. He'd just be up, done. | NARRATION | Jen relaxed with coffee; Leo strolls in |
| 26 | 122.78-127.18 | Sixty-night wake-up guarantee right now, and that's not all you want. | NARRATION | band hero on Leo's wrist; Mia skips in |
| 27 | 127.24-134.08 | It wakes him or you don't pay, and two bands are sixty-nine ninety-eight. One for each kid. | NARRATION | Jen fastens a second band on Mia; both kids show wrists |
| 28 | 134.78-145.90 | Link below. That's real. Oh-oh. That's real. Oh-oh. That's real. | NARRATION | Leo leaves for school; Jen relieved; Mia admires her band |
Sung-vs-written drift (Suno): line 1 sung "set" (written "sets"); line 4 sung "will fix this, right?". The storyboard follows the sung words. No QUOTED line exists, so no clip unlocks lip-sync. Every clip prompt says nobody speaks and lips stay closed.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 3 and Shot 4. Never show the grid, gutters or panels. 13-second vertical 9:16 animated music-video scene, 5 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片4 with 图片5 is Jen, his mom, auburn hair in a messy clip, dusty-pink robe over striped pajamas. 图片6 is Mia, 10, his little sister, copper braids, lavender pajamas. 图片7 is Leo's bedroom; keep its layout. Only Leo, Jen and Mia exist; nobody else on screen. Night in Leo's bedroom, warm bedside lamp and deep blue shadows, turning to cool blue dawn through the blinds. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-3.5s): night. Over Leo's shoulder in bed: his thumb flicks six alarm toggles on in a row, then he drops the phone on the nightstand. Screen text: phone alarm list, six rows "6:30 AM", "6:35 AM", "6:40 AM", "6:45 AM", "6:50 AM", "6:55 AM", all switched on. Camera: slow push-in to the screen; hard cut as the phone lands. Shot 2 (3.5-6.0s): wide: Leo flops onto the pillow and is asleep at once; the lamp light fades and blue dawn rises through the blinds (night to dawn). Camera: slow pull-back to wide; light change carries into Shot 3. Shot 3 (6.0-8.7s): macro: the phone on the nightstand lights up and starts buzzing and rattling across the wood. Screen text: phone alarm screen: "6:30 AM" in large digits, the label "Alarm", "Snooze" and "Stop" buttons. Camera: snap zoom in on "time"; whip pan to the doorway. Shot 4 (8.7-11.0s): wide from beside the bed: Jen (pink robe) and Mia (lavender pajamas) burst into the doorway, hands clamped over their ears, hair wild. Camera: whip pan lands on the doorway; hard cut on "but". Shot 5 (11.0-13.0s): close: Leo face-down on the pillow, dead asleep and snoring, curls fluttering with each breath; the phone still flashing behind him. Camera: slow push-in; hard cut. Sound: phone alarm beeping and buzzing, snoring. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 2, Shot 3 and Shot 5. Never show the grid, gutters or panels. 13-second vertical 9:16 animated music-video scene, 6 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Jen, his mom, auburn hair in a messy clip, dusty-pink robe over striped pajamas. 图片4 with 图片5 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片6 is Leo's bedroom; keep its layout. 图片7 is the kitchen; keep its layout. Only Leo and Jen exist; nobody else on screen. Early-morning cool blue dawn in Leo's bedroom; bright morning kitchen; one short night beat lit only by the lamp. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-0.7s): medium close: Jen in Leo's doorway, arms crossed, eyes narrowing into a scheming look. Camera: quick push-in; tilt up into Shot 2. Shot 2 (0.7-4.1s): close on Jen, lips closed, one eyebrow up: a puffy white thought bubble pops above her head holding a drawing of a giant chrome twin-bell alarm clock, no words. Screen text: the bubble holds only the clock drawing, no words. Camera: tilt up to the bubble; the bubble pops; hard cut to the kitchen. Shot 3 (4.1-7.7s): kitchen: Jen (robe) lifts a giant chrome twin-bell alarm clock out of a plain brown cardboard box on the island and blows a strand of hair off her face. Screen text: plain box, no print. Camera: low-angle push-in; match cut on the clock. Shot 4 (7.7-9.3s): night, lamp only: Jen sets the bell clock on Leo's nightstand and yawns; Leo asleep. Camera: slow dolly left; hard cut to dawn. Shot 5 (9.3-11.0s): Dawn: the twin-bell clock rings, its hammer a blur, hopping on the nightstand. Screen text: clock hands at 6:30. Camera: crash zoom; hard cut. Shot 6 (11.0-13.0s): medium: Leo, still asleep, drags the pillow over his head and smiles dreamily. Camera: slow push-in; hard cut. Sound: a huge bell alarm ringing, cardboard rustle, snoring. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 2 vertical panels, left to right, are the opening compositions of Shot 1 and Shot 3. Never show the grid, gutters or panels. 11-second vertical 9:16 animated music-video scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Jen, his mom, auburn hair in a messy clip, dusty-pink robe over striped pajamas. 图片4 with 图片5 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片6 is the kitchen; keep its layout. 图片7 is Leo's bedroom; keep its layout. Only Leo and Jen exist; nobody else on screen. Morning kitchen light, then cool blue dawn through the blinds in Leo's bedroom. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-3.2s): kitchen: Jen (robe) pins a pink slip to the fridge with a magnet, next to two others. Screen text: slips have small unreadable print; wall clock at 7:52. Camera: push-in on the slips; pull-back into Shot 2. Shot 2 (3.2-5.5s): close reaction: Jen slumps her back against the fridge, exhausted droop, the three pink slips beside her head. Camera: slow pull-back; hard cut to the bedroom. Shot 3 (5.5-9.0s): Dawn bedroom: Jen leans over the bed and shakes sleeping Leo's shoulder with both hands; the quilt bunches. Camera: handheld-feel push-in; cut in to Shot 4. Shot 4 (9.0-11.0s): close: Leo groans silently and cracks one eye open. Camera: hold, slight push; hard cut. Sound: fridge magnet click, quilt rustle, a groan. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 2, Shot 3 and Shot 6. Never show the grid, gutters or panels. 14-second vertical 9:16 animated music-video scene, 6 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Jen, his mom, auburn hair in a messy clip, dusty-pink robe over striped pajamas. 图片4 with 图片5 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片6 is Leo dressed for school: yellow hoodie, jeans, navy backpack. 图片7 is Leo's bedroom; keep its layout. 图片8 is the kitchen; keep its layout. Only Leo and Jen exist; nobody else on screen. Cool blue dawn in Leo's bedroom; flat, slightly harsh morning light in the kitchen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-2.3s): medium: Leo sits up with a groggy squint, hair wild; Jen straightens up satisfied and turns to leave. Camera: slow arc; follow Jen into Shot 2. Shot 2 (2.3-4.6s): wide: as Jen reaches the doorway, behind her Leo flops back and yanks the teal quilt over his head. Camera: static wide, then a quick push; hard cut on "yell". Shot 3 (4.6-5.9s): over Jen's shoulder from behind in the doorway: hands cupped around her mouth, leaning toward the lump in the bed (her mouth never visible). Camera: push-in over her shoulder; hard cut to the reaction. Shot 4 (5.9-7.5s): close reaction: Leo pulls the quilt down to his nose and glares, sulky. Camera: slow push-in; reverse cut to Jen. Shot 5 (7.5-9.4s): close reaction: Jen presses her fingers to her temples, frazzled, eyes shut. Camera: slight pull-back; hard cut to the kitchen. Shot 6 (9.4-14.0s): kitchen: Leo (yellow hoodie, backpack on) and Jen (robe) face off across the island, arms crossed, silent scowls; Leo rolls his eyes and turns away, Jen throws up her hands. Screen text: wall clock at 7:48. Camera: slow push between them; hard cut. Sound: quilt rustle, backpack thud. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 3 and Shot 4. Never show the grid, gutters or panels. 15-second vertical 9:16 animated music-video scene, 6 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 is Jen, his mom, auburn hair in a messy clip, dusty-pink robe over striped pajamas. 图片3 is Jen dressed for the day: cream cardigan, sage tee, jeans, hair down. 图片4 with 图片5 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片6 is Leo's bedroom; keep its layout. 图片7 is the upstairs hallway; keep its layout. 图片8 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. 图片9 shows its white LED digits "06:30" lit along the strap. Only Leo and Jen exist; nobody else on screen. Night by the warm lamp, then soft cool dawn with warm raking light; warm morning in the hallway. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-2.5s): night, lamp only: Jen (robe) kneels by the bed and fastens the band on sleeping Leo's LEFT wrist on the quilt. Camera: slow push-in on the hands; pull-back into Shot 2. Shot 2 (2.5-4.8s): wide: Jen clicks off the lamp and tiptoes out; night blue turns to soft dawn through the blinds. Camera: slow pull-back to wide; dissolve-like light change into Shot 3. Shot 3 (4.8-7.1s): dawn, medium side view: the band lights "06:30" with small white ripple marks; Leo's eyes open and he sits up, feet to the floor. Camera: slow push-in; hard cut to the hallway. Shot 4 (7.1-9.2s): hallway: Jen in her cardigan walks past Leo's half-open door sipping coffee, calm smile. Camera: lateral tracking shot; hard cut. Shot 5 (9.2-12.6s): close: Leo on the bed edge glances at the band on his wrist; his phone lies dark on the desk. Camera: rack focus from the band to the dark phone; hard cut. Shot 6 (12.6-15.0s): medium: Leo pulls up the blinds himself and stretches as morning light floods in. Camera: slow push-in; hard cut. Sound: lamp click, soft band buzz, footsteps. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 3 and Shot 5. Never show the grid, gutters or panels. 13-second vertical 9:16 animated music-video scene, 5 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片4 is Leo's bedroom; keep its layout. 图片5 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. 图片6 shows its white LED digits "06:30" lit along the strap. Only Leo exist; nobody else on screen. Dawn: soft cool-blue light through the blinds with warm raking light across the bed and wrist. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-2.2s): Dawn macro: Leo asleep, his left forearm supported on the quilt, the band reads "06:30" and narrow curved white ripple marks pulse out from both sides, gentle; his fingers twitch. Camera: slow push-in; cut to his ear. Shot 2 (2.2-3.4s): close: Leo's sleeping face on the pillow, ear in focus; the room is silent and no sound marks appear. Camera: slow push toward the ear; hard cut. Shot 3 (3.4-7.0s): medium side view: the ripples grow stronger and faster; Leo's eyes snap wide open; shoulder, elbow and wrist connected. Screen text: band LED "06:30". Camera: fast push-in; hard cut. Shot 4 (7.0-9.3s): earlier mornings, his wrists bare: wide on Leo asleep; the phone on the nightstand blares "6:30 AM" and big translucent cartoon sound-wave rings roll toward his head. Camera: slow orbit; push into Shot 5. Shot 5 (9.3-13.0s): close: the rings hit a faint glassy bubble around his sleeping head and bounce off, fizzling into sparkles; he smiles in his sleep; wrists bare. Camera: slow push-in; hard cut. Sound: soft band buzz, a muffled phone alarm. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 3 and Shot 5. Never show the grid, gutters or panels. 13-second vertical 9:16 animated music-video scene, 5 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 is Jen, his mom, auburn hair in a messy clip, dusty-pink robe over striped pajamas. 图片3 with 图片4 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片5 is Leo dressed for school: yellow hoodie, jeans, navy backpack. 图片6 is the kitchen; keep its layout. 图片7 is Leo's bedroom; keep its layout. 图片8 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. 图片9 shows its white LED digits "06:30" lit along the strap. Only Leo and Jen exist; nobody else on screen. Harsh hurried morning in the kitchen; night with the warm lamp in the bedroom; then soft dawn. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-2.2s): before the band, bare wrists: Leo in his yellow hoodie sprints through the kitchen with toast in his mouth, backpack half on; Jen (robe) points at the wall clock at 7:52. Screen text: wall clock at 7:52. Camera: whip pan following him; hard cut. Shot 2 (2.2-4.5s): reaction: Jen sinks onto a stool, head in her hands. Camera: slow push-in; hard cut to night. Shot 3 (4.5-6.5s): night, lamp: Leo sits on his bed in his purple tee and looks at the band on his left wrist; its LED reads "06:30"; hand and forearm in frame. Camera: slow push-in; cut wider. Shot 4 (6.5-9.0s): medium: Leo snugs the strap one notch tighter on his left wrist and gives a small nod, then lies down. Camera: push-in; dissolve-like cut to dawn. Shot 5 (9.0-13.0s): Dawn wide: small ripples by the band; Leo sits up on his own, stretches, feet on the floor, sun coming up. Camera: slow push-in; hard cut. Sound: running footsteps, soft band buzz, blinds. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 3 and Shot 5. Never show the grid, gutters or panels. 15-second vertical 9:16 animated music-video scene, 6 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky freckled boy with wild copper curls, purple tee and grey sweatpants. 图片4 is Leo's bedroom; keep its layout. 图片5 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. 图片6 shows its white LED digits "06:30" lit along the strap. Only Leo exist; nobody else on screen. Dawn: soft cool-blue light through the blinds with warm raking light across the bed and wrist; the window light changes with the seasons. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-3.5s): Dawn macro: band on Leo's left wrist on the quilt, white ripples, and a soft warm glow travels from the band up his forearm toward his shoulder. Screen text: band LED "06:30". Camera: slow track along the arm; cut to his face. Shot 2 (3.5-5.9s): close: Leo's sleeping face; one faint sound ring drifts toward his ear and fizzles out; then his eyelids flutter. Camera: slow push-in; hard cut wide. Shot 3 (5.9-8.4s): wide over the bed toward the window: Leo sits up with the band on his wrist while outside the window autumn leaves turn into falling snow. Camera: slow push toward the window; hard cut. Shot 4 (8.4-9.9s): close: Leo, wide awake in snowy light, a small smug closed-mouth grin. Camera: quick push-in; hard cut to macro. Shot 5 (9.9-12.8s): macro: on Leo's sleeping wrist the ripples start tiny and grow bigger and faster. Screen text: band LED "06:30". Camera: slow push-in; cut wider on "until". Shot 6 (12.8-15.0s): medium side view: Leo sits up and puts both feet on the floor; shoulder, elbow and wrist connected. Camera: slight arc; hard cut. Sound: soft band buzz getting stronger, wind outside. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 2 and Shot 5. Never show the grid, gutters or panels. 14-second vertical 9:16 animated music-video scene, 5 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 is Jen dressed for the day: cream cardigan, sage tee, jeans, hair down. 图片3 is Leo dressed for school: yellow hoodie, jeans, navy backpack. 图片4 is Mia, 10, his little sister, copper braids, lavender pajamas. 图片5 is Leo's bedroom; keep its layout. 图片6 is Mia's bedroom; keep its layout. 图片7 is the upstairs hallway; keep its layout. 图片8 is the kitchen; keep its layout. 图片9 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. Only Leo, Jen and Mia exist; nobody else on screen. Calm, bright, warm morning light everywhere; Mia's room in pale quiet dawn. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-4.2s): silent sunny bedroom: the chrome twin-bell clock sits in the waste basket by the desk; Leo, now in his yellow hoodie with the band on his left wrist, walks past it. Camera: slow dolly; hard cut. Shot 2 (4.2-5.9s): Mia's room: Mia sleeps peacefully under her yellow star quilt hugging her plush bunny, smiling. Camera: slow push-in; hard cut. Shot 3 (5.9-7.7s): upstairs hallway: Jen (dressed) walks past Leo's open door with a coffee mug and does not knock; small smile. Camera: lateral tracking; hard cut. Shot 4 (7.7-10.0s): hallway: Jen's pink robe hangs alone on a wall hook; Leo, dressed, strides out of his doorway past it. Camera: static, then a push-in on the robe; hard cut to the kitchen. Shot 5 (10.0-14.0s): kitchen: Leo eats cereal at the island, the band on his left wrist; Jen (dressed) sets her coffee beside him and ruffles his curls. Screen text: wall clock at 7:05. Camera: slow arc; hard cut. Sound: quiet morning, footsteps, spoon on a bowl. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shot 1, Shot 3 and Shot 5. Never show the grid, gutters or panels. 16-second vertical 9:16 animated music-video scene, 6 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 is Jen dressed for the day: cream cardigan, sage tee, jeans, hair down. 图片3 with 图片4 is Leo dressed for school: yellow hoodie, jeans, navy backpack. 图片5 with 图片6 is Mia, 10, his little sister, copper braids, lavender pajamas. 图片7 is the kitchen; keep its layout. 图片8 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's and later Mia's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. Only Leo, Jen and Mia exist; nobody else on screen. Bright, warm morning sunlight in the kitchen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-2.5s): kitchen: Jen (dressed) leans on the counter sipping coffee, eyes closed, savouring the quiet. Camera: slow push-in; pan to the doorway. Shot 2 (2.5-4.2s): Leo strolls in dressed, backpack on, grabs an apple from the bowl; Jen raises her mug to him with a warm smile. Camera: pan; cut in to the wrist. Shot 3 (4.2-6.8s): close: Leo's left hand takes the apple; the slim black band on his wrist, hand and forearm in frame. Camera: slow push-in; tilt to the doorway. Shot 4 (6.8-8.7s): Mia (lavender pajamas) skips in, yawning but cheerful, and climbs onto a stool. Camera: tilt and follow; hard cut. Shot 5 (8.7-13.3s): Jen fastens a second slim black Dawn Band on Mia's LEFT wrist; Mia admires it, delighted. Screen text: wall clock at 7:05. Camera: push-in; pull-back into Shot 6. Shot 6 (13.3-16.0s): two-shot: Leo and Mia side by side at the island lift their left wrists, both bands showing, closed-mouth grins; Jen smiling behind them. Camera: slow pull-back; hard cut. Sound: coffee sip, apple crunch, a strap click. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 2 vertical panels, left to right, are the opening compositions of Shot 1 and Shot 3. Never show the grid, gutters or panels. 12-second vertical 9:16 animated music-video scene, 3 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 is Jen dressed for the day: cream cardigan, sage tee, jeans, hair down. 图片3 is Leo dressed for school: yellow hoodie, jeans, navy backpack. 图片4 is Mia, 10, his little sister, copper braids, lavender pajamas. 图片5 is the kitchen; keep its layout. 图片6 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Leo's and Mia's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. Only Leo, Jen and Mia exist; nobody else on screen. Bright, warm morning sunlight in the kitchen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks or sings; all lips stay closed; nobody looks at the camera. Shot 1 (0.0-3.0s): kitchen doorway: Leo heads out with his backpack, turns and gives a two-finger salute, band on his left wrist, and leaves. Camera: tracking; hard cut. Shot 2 (3.0-5.6s): close: Jen breathes out, a relieved warm smile, sips her coffee in the quiet kitchen. Camera: slow push-in; pull-back into Shot 3. Shot 3 (5.6-12.0s): wide: Jen and Mia at the island in the morning sun; Mia admires the band on her wrist, Jen smiles at her; the wall clock reads 7:05. Screen text: wall clock at 7:05. Camera: slow pull-back to a held wide; end of film. Sound: door, footsteps, coffee sip. No music, no speech, no singing. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.







Times come from s1-take2.words.json; each shot cuts on the first word of the next line or phrase. Every lyric is NARRATION except S7 (INNER THOUGHT); all mouths closed, nobody looks at camera. "Drawn" = painted as that panel of the clip's canvas.
Cast: Jen (mom, refs/mom.jpg robe / refs/mom_dressed.jpg after the band), Leo (14, reused), Mia (10, sister). Places: Leo's bedroom + hallway (reused), kitchen, Mia's room (new). Times on screen: phone/clock 6:30, band "06:30", kitchen clock 7:52 or 7:48 (late mornings), 7:05 (band mornings).
| Shot | Clip | Song time (s) | Lyric covered | Visible action | Camera move | Transition | In-scene text | Characters / refs | Drawn |
|---|---|---|---|---|---|---|---|---|---|
| S1 | C01 | 0.00-3.50 | If your teen set six alarms on his phone tonight, | Night. Over Leo's shoulder in bed: his thumb flicks six alarm toggles on in a row, then he drops the phone on the nightstand | slow push-in to the screen | hard cut as the phone lands | phone alarm list, six rows "6:30 AM", "6:35 AM", "6:40 AM", "6:45 AM", "6:50 AM", "6:55 AM", all switched on | Leo, bedroom | P1 |
| S2 | C01 | 3.50-6.00 | here's exactly what's gonna happen | Wide: Leo flops onto the pillow and is asleep at once; the lamp light fades and blue dawn rises through the blinds (night to dawn) | slow pull-back to wide | light change carries into S3 | Leo, bedroom | ||
| S3 | C01 | 6.00-8.70 | at six thirty, right on time. | Macro: the phone on the nightstand lights up and starts buzzing and rattling across the wood | snap zoom in on "time" | whip pan to the doorway | phone alarm screen: "6:30 AM" in large digits, the label "Alarm", "Snooze" and "Stop" buttons | bedroom | P2 |
| S4 | C01 | 8.70-11.00 | All six go off and the whole house wakes up | Wide from beside the bed: Jen (pink robe) and Mia (lavender pajamas) burst into the doorway, hands clamped over their ears, hair wild | whip pan lands on the doorway | hard cut on "but" | Jen, Mia, bedroom | P3 | |
| S5 | C01 | 11.00-12.74 | but him. | Close: Leo face-down on the pillow, dead asleep and snoring, curls fluttering with each breath; the phone still flashing behind him | slow push-in | hard cut | Leo | ||
| S6 | C02 | 12.74-13.45 | So you think, | Medium close: Jen in Leo's doorway, arms crossed, eyes narrowing into a scheming look | quick push-in | tilt up into S7 | Jen | ||
| S7 | C02 | 13.45-16.80 | "Fine, a louder clock will fix this, right?" (INNER THOUGHT) | Close on Jen, lips closed, one eyebrow up: a puffy white cartoon thought bubble pops above her head showing a giant chrome twin-bell alarm clock | tilt up to the bubble | the bubble pops; hard cut to the kitchen | the bubble holds only the clock drawing, no words | Jen | P1 |
| S8 | C02 | 16.80-20.40 | You spend forty bucks | Kitchen: Jen (robe) lifts a giant chrome twin-bell alarm clock out of a plain brown cardboard box on the island and blows a strand of hair off her face | low-angle push-in | match cut on the clock | plain box, no print | Jen, kitchen | P2 |
| S9 | C02 | 20.40-22.00 | and a week of nights, | Night, lamp only: Jen sets the bell clock on Leo's nightstand and yawns; Leo asleep | slow dolly left | hard cut to dawn | Jen, Leo, bedroom | ||
| S10 | C02 | 22.00-23.70 | and fourteen days later, | Dawn: the twin-bell clock rings, its hammer a blur, hopping on the nightstand | crash zoom | hard cut | clock hands at 6:30 | bedroom | P3 |
| S11 | C02 | 23.70-25.74 | he sleeps through that one too. | Medium: Leo, still asleep, drags the pillow over his head and smiles dreamily | slow push-in | hard cut | Leo | ||
| S12 | C03 | 25.74-28.90 | Late slips already stacking up, | Kitchen: Jen (robe) pins a pink slip to the fridge with a magnet, next to two others | push-in on the slips | pull-back into S13 | slips have small unreadable print; wall clock at 7:52 | Jen, kitchen | P1 |
| S13 | C03 | 28.90-31.20 | three this week alone. | Close reaction: Jen slumps her back against the fridge, exhausted droop, the three pink slips beside her head | slow pull-back | hard cut to the bedroom | Jen | ||
| S14 | C03 | 31.20-34.70 | So you wake him yourself like every mom is told. | Dawn bedroom: Jen leans over the bed and shakes sleeping Leo's shoulder with both hands; the quilt bunches | handheld-feel push-in | cut in to S15 | Jen, Leo, bedroom | P2 | |
| S15 | C03 | 34.70-36.20 | (instrumental) | Close: Leo groans silently and cracks one eye open | hold, slight push | hard cut | Leo | ||
| S16 | C04 | 36.20-38.50 | It works for about a minute flat, | Medium: Leo sits up with a groggy squint, hair wild; Jen straightens up satisfied and turns to leave | slow arc | follow Jen into S17 | Jen, Leo, bedroom | ||
| S17 | C04 | 38.50-40.85 | then he's back under the blanket just like that. | Wide: as Jen reaches the doorway, behind her Leo flops back and yanks the teal quilt over his head | static wide, then a quick push | hard cut on "yell" | Jen, Leo, bedroom | P1 | |
| S18 | C04 | 40.85-42.10 | And every time you yell again, | Over Jen's shoulder from behind in the doorway: hands cupped around her mouth, leaning toward the lump in the bed (her mouth never visible) | push-in over her shoulder | hard cut to the reaction | Jen, Leo, bedroom | P2 | |
| S19 | C04 | 42.10-43.70 | the damage starts to show. | Close reaction: Leo pulls the quilt down to his nose and glares, sulky | slow push-in | reverse cut to Jen | Leo | ||
| S20 | C04 | 43.70-45.65 | Oh-oh. | Close reaction: Jen presses her fingers to her temples, frazzled, eyes shut | slight pull-back | hard cut to the kitchen | Jen | ||
| S21 | C04 | 45.65-49.32 | Mornings getting meaner, a fight with every single go. | Kitchen: Leo (yellow hoodie, backpack on) and Jen (robe) face off across the island, arms crossed, silent scowls; Leo rolls his eyes and turns away, Jen throws up her hands | slow push between them | hard cut | wall clock at 7:48 | Jen, Leo (school clothes), kitchen | P3 |
| S22 | C05 | 49.32-51.80 | If he wore a Dawn Band instead, | Night, lamp only: Jen kneels by the bed and fastens the slim black Dawn Band on sleeping Leo's LEFT wrist on the quilt | slow push-in on the hands | pull-back into S23 | Jen (robe), Leo, bedroom, band | P1 | |
| S23 | C05 | 51.80-54.15 | it's a different story told. | Wide: Jen clicks off the lamp and tiptoes out; the room sinks to night blue, then soft dawn light rises through the blinds | slow pull-back to wide | dissolve-like light change into S24 | Jen, Leo, bedroom | ||
| S24 | C05 | 54.15-56.40 | He'd be up in two minutes, | Dawn, medium side view: the band on Leo's left wrist lights "06:30" and small white ripple marks pulse beside it; Leo's eyes open and he sits up, feet to the floor | slow push-in | hard cut to the hallway | band LED "06:30" | Leo, bedroom, band, band_led | P2 |
| S25 | C05 | 56.40-58.55 | nobody yelling down the hall. | Upstairs hallway, quiet: Jen, dressed for the day (cream cardigan), walks past Leo's half-open door sipping coffee, a calm small smile | lateral tracking shot | hard cut | Jen (dressed), hallway | P3 | |
| S26 | C05 | 58.55-61.95 | A silent band on his wrist, no app, no phone in bed. | Close: Leo on the bed edge glances at the slim band on his left wrist; behind him his phone lies dark and face-down on the desk across the room | rack focus from the band to the dark phone | hard cut | Leo, bedroom, band | ||
| S27 | C05 | 61.95-64.30 | Made to wake the kid no alarm can find. | Medium: Leo pulls the blinds up himself; morning light floods the room; he stretches | slow push-in | hard cut | Leo, bedroom, band | ||
| S28 | C06 | 64.30-66.50 | It buzzes on his skin, | Dawn macro: Leo asleep, his left forearm supported on the quilt, the band reads "06:30" and narrow curved white ripple marks pulse out from both sides, gentle; his fingers twitch | slow push-in | cut to his ear | band LED "06:30" | Leo, band, band_led | P1 |
| S29 | C06 | 66.50-67.65 | not in his ears. | Close: Leo's sleeping face on the pillow, ear in focus; the room is silent and no sound marks appear | slow push toward the ear | hard cut | Leo | ||
| S30 | C06 | 67.65-71.30 | Three times stronger than a smartwatch buzz. | Medium side view: the ripples grow stronger and faster; Leo's eyes snap wide open; shoulder, elbow and wrist connected | fast push-in | hard cut | band LED "06:30" | Leo, bedroom, band | P2 |
| S31 | C06 | 71.30-73.60 | His sleeping brain treats sound | Earlier mornings (no band): wide on Leo asleep, the phone on the nightstand blares and big translucent cartoon sound-wave rings roll toward his head | slow orbit | push into S32 | phone alarm screen "6:30 AM" | Leo, bedroom | |
| S32 | C06 | 73.60-76.82 | like spam at the source. | Close: the sound rings hit a faint glassy bubble around Leo's sleeping head and bounce off, fizzling into sparkles; he smiles in his sleep | slow push-in | hard cut | Leo | P3 | |
| S33 | C07 | 76.82-79.00 | That's what kept him late, | Kitchen, before the band (bare wrists): Leo in his yellow hoodie sprints through with toast in his mouth, backpack half on; Jen (robe) points at the wall clock | whip pan following him | hard cut | wall clock at 7:52 | Jen (robe), Leo (school), kitchen | P1 |
| S34 | C07 | 79.00-81.30 | morning after morning, off course. | Reaction: Jen sinks onto a stool, head in her hands | slow push-in | hard cut to night | Jen | ||
| S35 | C07 | 81.30-83.30 | Three alarms set right on the band. | Night, lamp: Leo sits on his bed in his purple tee and looks at the band on his left wrist; its LED reads "06:30"; hand and forearm in frame | slow push-in | cut wider | band LED "06:30" | Leo, bedroom, band, band_led | P2 |
| S36 | C07 | 83.30-85.80 | School, practice, backup set it tight. | Medium: Leo snugs the strap one notch tighter on his left wrist and gives a small nod, then lies down | push-in | dissolve-like cut to dawn | Leo, bedroom, band | ||
| S37 | C07 | 85.80-89.80 | He wakes himself up every morning right. | Dawn wide: small ripples by the band; Leo sits up on his own, stretches, feet on the floor, sun coming up | slow push-in | hard cut | Leo, bedroom, band | P3 | |
| S38 | C08 | 89.80-93.25 | The band reaches him through touch deep, | Dawn macro: band on Leo's left wrist on the quilt, white ripples, and a soft warm glow travels from the band up his forearm toward his shoulder | slow track along the arm | cut to his face | band LED "06:30" | Leo, band, band_led | P1 |
| S39 | C08 | 93.25-95.65 | not through the noise his brain won't keep. | Close: Leo's sleeping face; one faint sound ring drifts toward his ear and fizzles out; then his eyelids flutter | slow push-in | hard cut wide | Leo | ||
| S40 | C08 | 95.65-98.20 | That's why it still works in week twelve, | Wide over the bed toward the window: Leo sits up with the band on his wrist while outside the window autumn leaves turn into falling snow | slow push toward the window | hard cut | Leo, bedroom, band | P2 | |
| S41 | C08 | 98.20-99.70 | not just week two. | Close: Leo, wide awake in snowy light, a small smug closed-mouth grin | quick push-in | hard cut to macro | Leo | ||
| S42 | C08 | 99.70-102.60 | It starts gentle and gets stronger | Macro: on Leo's sleeping wrist the ripples start tiny and grow bigger and faster | slow push-in | cut wider on "until" | band LED "06:30" | Leo, band, band_led | P3 |
| S43 | C08 | 102.60-104.52 | until he's up. | Medium side view: Leo sits up and puts both feet on the floor; shoulder, elbow and wrist connected | slight arc | hard cut | Leo, bedroom, band | ||
| S44 | C09 | 104.52-108.70 | No blaring breaking through. | Silent sunny bedroom: the chrome twin-bell clock sits in the waste basket by the desk; Leo, now in his yellow hoodie with the band on his left wrist, walks past it | slow dolly | hard cut | Leo (school), bedroom, band | P1 | |
| S45 | C09 | 108.70-110.40 | No sister woken, | Mia's room: Mia sleeps peacefully under her yellow star quilt hugging her plush bunny, smiling | slow push-in | hard cut | Mia, Mia's room | P2 | |
| S46 | C09 | 110.40-112.20 | no pounding on the door. | Upstairs hallway: Jen (dressed) walks past Leo's open door with a coffee mug and does not knock; small smile | lateral tracking | hard cut | Jen (dressed), hallway | ||
| S47 | C09 | 112.20-114.55 | No you in the doorway in your robe. | Hallway: Jen's pink robe hangs alone on a wall hook; Leo, dressed, strides out of his doorway past it | static, then a push-in on the robe | hard cut to the kitchen | Leo (school), hallway | ||
| S48 | C09 | 114.55-118.52 | One charge lasts about two weeks, and that's no small pursuit. | Kitchen: Leo eats cereal at the island, the band on his left wrist; Jen (dressed) sets her coffee beside him and ruffles his curls | slow arc | hard cut | wall clock at 7:05 | Jen (dressed), Leo (school), kitchen, band | P3 |
| S49 | C10 | 118.52-121.00 | You'd stop chasing his mornings. | Kitchen: Jen (dressed) leans on the counter sipping coffee, eyes closed, savouring the quiet | slow push-in | pan to the doorway | Jen (dressed), kitchen | P1 | |
| S50 | C10 | 121.00-122.70 | He'd just be up, done. | Leo strolls in dressed, backpack on, grabs an apple from the bowl; Jen raises her mug to him with a warm smile | pan | cut in to the wrist | Jen, Leo (school), kitchen, band | ||
| S51 | C10 | 122.70-125.30 | Sixty-night wake-up guarantee right now, | Close: Leo's left hand takes the apple; the slim black band on his wrist, hand and forearm in frame | slow push-in | tilt to the doorway | Leo, band | P2 | |
| S52 | C10 | 125.30-127.20 | and that's not all you want. | Mia (lavender pajamas) skips in, yawning but cheerful, and climbs onto a stool | tilt and follow | hard cut | Mia, kitchen | ||
| S53 | C10 | 127.20-131.80 | It wakes him or you don't pay, and two bands are sixty-nine ninety-eight. | Jen fastens a second slim black Dawn Band on Mia's LEFT wrist; Mia admires it, delighted | push-in | pull-back into S54 | wall clock at 7:05 | Jen, Mia, kitchen, band | P3 |
| S54 | C10 | 131.80-134.40 | One for each kid. | Two-shot: Leo and Mia side by side at the island lift their left wrists, both bands showing, closed-mouth grins; Jen smiling behind them | slow pull-back | hard cut | Jen, Leo, Mia, kitchen, band | ||
| S55 | C11 | 134.40-137.40 | Link below. That's real. | Kitchen doorway: Leo heads out with his backpack, turns and gives a two-finger salute, band on his left wrist, and leaves | tracking | hard cut | Leo (school), kitchen, band | P1 | |
| S56 | C11 | 137.40-140.00 | Oh-oh. That's real. | Close: Jen breathes out, a relieved warm smile, sips her coffee in the quiet kitchen | slow push-in | pull-back into S57 | Jen (dressed) | ||
| S57 | C11 | 140.00-146.22 | Oh-oh. That's real. | Wide: Jen and Mia at the island in the morning sun; Mia admires the band on her wrist, Jen smiles at her; the wall clock reads 7:05 | slow pull-back to a held wide | end of film | wall clock at 7:05 | Jen (dressed), Mia, kitchen, band | P2 |
One Kling 4.0 generation per clip, 1080p 9:16. Kling length = span rounded up; spare picture at the end is trimmed in the edit.
| Clip | Shots | Song span (s) | Span | Kling length | Canvas | Audio slice |
|---|---|---|---|---|---|---|
| C01 | S1-S5 (5) | 0.00-12.74 | 12.74 s | 13 s | canvases/clip-01.jpg | audio/clip-01.mp3 |
| C02 | S6-S11 (6) | 12.74-25.74 | 13.00 s | 13 s | canvases/clip-02.jpg | audio/clip-02.mp3 |
| C03 | S12-S15 (4) | 25.74-36.20 | 10.46 s | 11 s | canvases/clip-03.jpg | audio/clip-03.mp3 |
| C04 | S16-S21 (6) | 36.20-49.32 | 13.12 s | 14 s | canvases/clip-04.jpg | audio/clip-04.mp3 |
| C05 | S22-S27 (6) | 49.32-64.30 | 14.98 s | 15 s | canvases/clip-05.jpg | audio/clip-05.mp3 |
| C06 | S28-S32 (5) | 64.30-76.82 | 12.52 s | 13 s | canvases/clip-06.jpg | audio/clip-06.mp3 |
| C07 | S33-S37 (5) | 76.82-89.80 | 12.98 s | 13 s | canvases/clip-07.jpg | audio/clip-07.mp3 |
| C08 | S38-S43 (6) | 89.80-104.52 | 14.72 s | 15 s | canvases/clip-08.jpg | audio/clip-08.mp3 |
| C09 | S44-S48 (5) | 104.52-118.52 | 14.00 s | 14 s | canvases/clip-09.jpg | audio/clip-09.mp3 |
| C10 | S49-S54 (6) | 118.52-134.40 | 15.88 s | 16 s | canvases/clip-10.jpg | audio/clip-10.mp3 |
| C11 | S55-S57 (3) | 134.40-146.22 | 11.82 s | 12 s | canvases/clip-11.jpg | audio/clip-11.mp3 |
Total Kling seconds: 149 s, about 2012 credits at 13.5/s (1080p).
Prepped up to video submission. No video was generated and nothing was posted. Fish approves before any spend on clips.
| Item | Path | Notes |
|---|---|---|
| Line tags | tags.md |
28 lines + 3 ad-libs. All NARRATION (lips closed, nobody looks at camera) except 4b "Fine, a louder clock will fix this, right?" = INNER THOUGHT: close-up of Jen with a wordless thought bubble, as Polar does at 0:07. No QUOTED line exists, so no lip-sync anywhere. The narrator never appears, so there's no TO-CAMERA line either. |
| Storyboard | storyboard.md |
57 shots on the song clock (146.22 s; the brief said 148). Each shot lists the lyric, the visible action, the camera move, the transition, the in-scene text, the cast and which canvas panel it's drawn on. Average shot is about 2.6 s, close to Polar's 2.5 s cut rhythm. Source data is in tools/shots.py. |
| Clips | clips.md |
11 clips, 11-16 s each, every one ending on a lyric break. 149 Kling seconds in total. |
| New refs | refs/ |
mom.jpg (Jen in her robe, for the failure mornings), mom_exp.jpg, mom_dressed.jpg (wardrobe for the band mornings, which pays off "no you in the doorway in your robe"), mia.jpg + mia_exp.jpg (sister, 10; on screen for "whole house wakes up", "no sister woken" and "one for each kid"), kitchen.jpg, mia_room.jpg. All are clean: no text, no watermark. Reused: Leo, leo_exp, leo_school, bedroom, hallway, band, band_led. |
| Ref URLs | refs/urls.txt |
Every ref, canvas and audio slice, labelled; superseded first-pass canvases are listed at the bottom. |
| Canvases | canvases/clip-01..11.jpg (+ first-pass/) |
Every panel reviewed. Prompts are in canvas-prompts/ (*.args = aspect + ref order). |
| Kling prompts | kling/clip-XX.txt |
1,801-2,491 chars, all ≤2,500. Each has the canvas as 图片1, cast turnaround + expressions, room plate, band.png + band_led.jpg on band clips, 音频1 for timing only, a cast lock line, lips closed, and the full no-text line. |
| Kling inputs | kling/clip-XX.inputs.txt |
Ordered 图片 URLs plus the 音频1 URL and its song-clock span. Settings: 1080p, 9:16, enable_audio false, length per clip. |
| Audio | audio/clip-01..11.mp3 |
Cut from songs/cut/s1-take2.mp3 with ffmpeg and already uploaded. |
For each clip: kling omni_ref_video --model kling-video-v4_0 with the 图片 URLs in the order given in clip-XX.inputs.txt, --audio <音频1 url>, --aspect_ratio 9:16 --resolution 1080p --duration <N> --enable_audio false --prompt "$(cat kling/clip-XX.txt)". Then download urlWithoutWatermark and mute Kling's track in the edit.
Swipe of Blushe · 147k visits/mo · #4 of 905 · 69 d
Source: upbeat pop / musical theater, young woman singing AS the product ("I"), the old product is "he"; 3D animated + photoreal; 396 words / 146 s = 2.72 wps. Lands on presell /pages/7-reasons-why-tubing.
Beats: "No one in [insider group] uses [the usual product]. Not because it's bad. They moved past it" → "he wasn't a scam", what he does well → "but read who he was made for" (someone who doesn't have your problem) → where he fails, in detail → "So [insiders] went further" + new method name → "He X, I Y" chorus → routine and results → "the part he never had" (built-in extra) → removal is easy → "it wasn't something you did; it was a [product] built for somebody else's [x]" → week 1 / 2 / 3 → friend asks, "None, this is just what [insiders] use" → proof count → BOGO → guarantee → "Tap below, girls."
Why it fits: our mechanism is literally a category the deaf community moved to decades ago (wake by touch, not sound). Deaf/HoH is an untargeted buyer in our comments and survey. The "it wasn't you, it was a product built for someone else" turn is Dawn's zero-blame reframe.
| # | Blushe (verbatim) | Dawn |
|---|---|---|
| 1 | No one in Korea uses tube in mascara. | Nobody who's deaf wakes up to an alarm clock. |
| 2 | Not because it's bad, no. | Not because it's bad, no. |
| 3 | They moved past it years ago, and nobody over here let you know. | They moved past it years ago, and nobody hearing let you know. |
| 4 | He wasn't a scam, I'll give him that much. | He wasn't a scam, I'll give him that much. |
| 5 | A little tube built round each lash you touch. | A little speaker loud enough to wake the whole house up. |
| 6 | No flaking, no smudging, no gray under your eye. | Six alarms, max volume, snooze, snooze, snooze again. |
| 7 | Warm water at night and he'd rinse off clean and dry. | Plugged in by the bed, he rings right on time. |
| 8 | But read who he was actually made for, a lash already thick, already full, already sure. | But read who he was actually made for: a sleeper already light, already half awake, already sure. |
| 9 | And if yours went fine somewhere along the line, his brush skips the small ones every single time. | And if your kid sleeps deep, somewhere down the line his brain filed that ring as spam, every single time. |
| 10 | The corners, he never even touched them. | The deep sleep, he never even reached it. |
| 11 | The ones he did catch slid halfway down. | The mornings he did reach him, he snoozed and slid back down. |
| 12 | By noon, twelve hours he's sitting up there, doing nothing for the lash underneath him. | By six-forty he's still ringing on the nightstand, doing nothing for the kid asleep beside him. |
| 13 | So Korea went further. They call it lash casting. | So deaf families went further. They wake up by touch. |
| 14 | He wraps, I hold, and I feed every lash in a flexible little cast. | He rings, I buzz, right on the wrist, and I keep on building. |
| 15 | The fine ones, the corner ones, the ones you haven't seen in years. | The deep ones, the ADHD ones, the ones you haven't seen wake up alone in years. |
| 16 | He wraps, I hold, and I feed. | He rings, I buzz, and I keep going. |
| 17 | One coat, that's the whole routine. | One band, that's the whole routine. |
| 18 | Every lash separate, lifted, clean. | No app, no phone in bed, no screen. |
| 19 | No clumps, no spiders, no heavy black wall. | No siren, no sister up, no yelling down the hall. |
| 20 | Just awake like you'd finally slept at all. | Just awake, like he finally did it all himself. |
| 21 | And here's the part that he never had. There's a serum built inside the cast. | And here's the part that he never had. I get stronger till he's up. |
| 22 | Red ginseng peptides, twelve hours a day. | Three times stronger than a smartwatch, every single day. |
| 23 | I hold them up and condition them the same way. | Gentle first, then stronger, till his feet hit the floor. |
| 24 | At night, warm water, that's all it takes. | At night, buckle me on, that's all it takes. |
| 25 | I slide off in soft little threads. | Three alarms, set right on me. |
| 26 | No scrubbing, no tugging, no cotton pad coming back with your lashes on it because you don't have any to spare. | No ringing, no pounding, no mom in the doorway saying his name ten times, because you don't have the mornings to spare. |
| 27 | And listen, the thinning wasn't something you did. | And listen, the late slips weren't something you did. |
| 28 | It was never your age. | It was never his attitude. |
| 29 | It was a mascara built for somebody else's lashes. | It was an alarm built for somebody else's ears. |
| 30 | Week one, I'm just a very good mascara. No mess, no fuss, no clumps. | Week one, I'm just a very good alarm. No noise, no fuss, no fights. |
| 31 | Week two, they start looking more awake. | Week two, he starts beating your knock. |
| 32 | Week three, she took me off one night and just stared. | Week three, he set me himself one night and went to bed. |
| 33 | Her bare lashes looked fuller than they had in a decade. | His mornings looked calmer than they had in years. |
| 34 | Her best friend asked which salon did her extensions. | His teacher asked what changed at home. |
| 35 | She said, "None. This is just what Korean women actually use." | She said, [Q: mom] "Nothing. This is just what deaf families have used for years." |
| 36 | Blushe, two million tubes sold in Korea right now. | Dawn Band, ten thousand parents and counting. |
| 37 | It's buy one, get one free. Two of me for the price of one. Under twenty a tube. | Two of me for sixty-nine ninety-eight, one for every kid. |
| 38 | Sixty days, money back. If your lashes don't look better, you don't pay. | Sixty nights, money back. If he doesn't wake up, you don't pay. |
| 39 | Tap below, girls. | Tap below, moms. |
On-screen 0-3 s: Nobody who's deaf wakes up to an alarm clock
Suno style: upbeat pop musical theater, female vocalist early 20s, sassy confident delivery singing as the product, fast tempo 125 bpm, punchy piano and claps, call-and-response chorus "He rings, I buzz" · negative: ballad, country, rap, autotune, male vocals
Song clock: songs/cut/s2-take1.mp3 (158.26 s), times from s2-take1.words.json (404/404 words aligned in order).
Narrator = the Dawn Band ("I"), a female pop vocal. The band has no face and never sings on screen, so no line is TO-CAMERA: the thesis lines (1, 13, 29) are carried by picture instead (deaf family waking by touch; the clock as "he"). "He" = Leo's black digital alarm clock. Every line is NARRATION (everyone's lips closed, they act it, nobody looks at camera) except row 35.
| # | Start | End | Lyric (as sung) | Tag | What carries it on screen |
|---|---|---|---|---|---|
| 1 | 0.30 | 3.78 | Nobody who's deaf wakes up to an alarm clock. | NARRATION | Ana and Ben wake to the bed-shaker disc + flashing lamp, no clock in the room |
| 2 | 4.06 | 5.88 | Not because it's bad, no. | NARRATION | they sign good morning, smiling |
| 3 | 7.54 | 10.92 | They moved past it years ago, and nobody hearing let you know. | NARRATION | Ana opens the curtains; hard cut to Leo asleep beside the blaring clock |
| 4 | 11.04 | 12.80 | He wasn't a scam, I'll give him that much. | NARRATION | "he" = Leo's black digital alarm clock, hero push-in |
| 5 | 12.84 | 14.74 | A little speaker loud enough to wake the whole house up. | NARRATION | clock blares, room rattles, Jen in doorway, hands over ears |
| 6 | 14.98 | 17.94 | Six alarms, max volume, snooze, snooze, snooze again. | NARRATION | Leo's sleeping hand slaps the snooze bar three times |
| 7 | 17.98 | 21.44 | Plugged in by the bed, he rings right on time. | NARRATION | cord in the wall socket, digits flip 6:29 -> 6:30 |
| 8 | 21.72 | 28.90 | But read who he was actually made for: a sleeper already light, already half awake, already sure. | NARRATION | Jen in the hallway snaps fully alert at the first beep (the light sleeper it was made for) |
| 9 | 29.24 | 36.58 | And if your kid sleeps deep, somewhere down the line his brain filed that ring as spam, every single time. | NARRATION | macro on sleeping Leo's ear/face, ring bounces off, he smiles and burrows |
| 10 | 36.64 | 39.14 | The deep sleep, he never even reached it. | NARRATION | extreme close-up of Leo's closed eye, untouched |
| 11 | 39.42 | 43.54 | The mornings he did reach him, he snoozed and slid back down. | NARRATION | Leo half sits, slaps snooze, slides back down |
| 12 | 43.62 | 50.92 | By six-forty he's still ringing on the nightstand, doing nothing for the kid asleep beside him. | NARRATION | clock "6:40" still ringing; wide with Jen sighing in doorway |
| 13 | 51.00 | 56.06 | So deaf families went further. They wake up by touch. | NARRATION | Ben wakes by touch: disc pulses under his pillow |
| 14 | 56.12 | 59.36 | He rings, I buzz, right on the wrist, and I keep on building. | NARRATION | "He rings" clock / "I buzz" band macro "06:30" + ripples building |
| 15 | 59.42 | 65.88 | The deep ones, the ADHD ones, the ones you haven't seen wake up alone in years. | NARRATION | Leo's eyes open; he sits up on his own |
| 16 | 65.94 | 69.62 | He rings, I buzz, and I keep going. | NARRATION | clock rings unheard vs band buzzing; Leo stands |
| 17 | 70.60 | 72.38 | One band, that's the whole routine. | NARRATION | hero macro: one band on Leo's wrist |
| 18 | 72.44 | 74.22 | No app, no phone in bed, no screen. | NARRATION | phone face-down and dark on the desk across the room |
| 19 | 74.30 | 77.72 | No siren, no sister up, no yelling down the hall. | NARRATION | hallway quiet: the other door stays shut, Jen calm, not yelling |
| 20 | 77.78 | 81.28 | Just awake, like he finally did it all himself. | NARRATION | Leo walks out awake past Jen |
| 21 | 81.32 | 84.92 | And here's the part that he never had. I get stronger till he's up. | NARRATION | band ripples grow |
| 22 | 84.96 | 88.86 | Three times stronger than a smartwatch, every single day. | NARRATION | ripples stronger; Leo bolts upright |
| 23 | 88.94 | 92.42 | Gentle first, then stronger, till his feet hit the floor. | NARRATION | Leo's socked feet hit the rug |
| 24 | 92.48 | 96.08 | At night, buckle me on, that's all it takes. | NARRATION | night: Leo buckles the band on his left wrist |
| 25 | 96.14 | 98.92 | Three alarms, set right on me. | NARRATION | LED "06:30" glows through the strap (no press) |
| 26 | 99.42 | 107.32 | No ringing, no pounding, no mom in the doorway saying his name ten times, because you don't have the mornings to spare. | NARRATION | Jen in the doorway, coffee, smiling, nobody to call; empty made bed |
| 27 | 107.36 | 110.86 | And listen, the late slips weren't something you did. | NARRATION | Jen on the top stair with a stack of blank pink late slips, lets them go |
| 28 | 111.76 | 113.00 | It was never his attitude. | NARRATION | Leo sits next to her, sleepy sweet smile |
| 29 | 114.58 | 116.98 | It was an alarm built for somebody else's ears. | NARRATION | Jen drops the old alarm clock into a donation box |
| 30 | 118.48 | 122.62 | Week one, I'm just a very good alarm. No noise, no fuss, no fights. | NARRATION | week one: band buzzes, Leo sits up quietly |
| 31 | 122.68 | 124.94 | Week two, he starts beating your knock. | NARRATION | week two: Jen lifts a fist to knock; the door opens first |
| 32 | 124.98 | 128.76 | Week three, he set me himself one night and went to bed. | NARRATION | week three: night, Leo checks "06:30" on his own band and flops into bed |
| 33 | 129.14 | 132.84 | His mornings looked calmer than they had in years. | NARRATION | school steps, Leo walks in early, relaxed |
| 34 | 132.88 | 135.76 | His teacher asked what changed at home. | NARRATION | Mr. Hale, curious raised brows at Jen (lips closed) |
| 35 | 136.30 | 140.30 | She said, "Nothing. This is just what deaf families have used for years." | QUOTED (Jen lip-syncs "Nothing. This is just what deaf families have used for years." to Mr. Hale; "She said" stays narration, her lips start on "Nothing" at 136.70) | Jen answers with a knowing smile |
| 36 | 141.62 | 144.34 | Dawn Band, ten thousand parents and counting. | NARRATION | nightstand hero: band "06:30" |
| 37 | 144.40 | 149.18 | Two of me for sixty-nine ninety-eight, one for every kid. | NARRATION | two fastened bands side by side on the nightstand |
| 38 | 149.24 | 152.96 | Sixty nights, money back. If he doesn't wake up, you don't pay. | NARRATION | Leo wakes and stands; Jen in doorway, warm |
| 39 | 154.38 | 155.76 | Tap below, moms. | NARRATION | Jen smiles at Leo, hold for end card |
Counts: 38 NARRATION, 1 QUOTED, 0 TO-CAMERA, 0 INNER THOUGHT.
Transcript quirks (sung audio vs lyric sheet, timing unaffected): row 26 is transcribed "singing his name"; row 36 "Dawn, bam,". Row 11 sung "reach them".

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 4. Never show the grid, gutters or panels. 11-second vertical 9:16 musical scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Ana, a Deaf mom, early 40s, long dark-brown side braid, sage-green long-sleeve top and lounge pants. 图片4 with 图片5 is Ben, a Deaf dad, early 40s, sandy hair and short beard, navy waffle henley, gray-and-navy plaid pajama pants. 图片6 with 图片7 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片8 is Ana and Ben's bedroom (no clock anywhere in it); keep its layout. 图片9 is Leo's bedroom; keep its layout. Only Ana, Ben and Leo exist; nobody else on screen. Early dawn. Ana and Ben's bedroom: soft pale-blue light through sheer curtains plus the warm right-hand lamp. Leo's bedroom: cool blue dawn through the blinds and the warm bedside lamp. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-4s): Wide from the foot of the bed in Ana and Ben's bedroom: both asleep; the small round grey bed-shaker disc half under Ben's pillow buzzes with short curved ripple marks and the right-hand lamp blinks on and off; both open their eyes, rested; camera: slow push-in; then hard cut on "Not". Shot 2 (4-7.4s): Medium two-shot: they sit up against the headboard; Ben signs good morning with a warm grin, Ana laughs and signs back; camera: gentle arc around the bed; then match on Ana turning to the window. Shot 3 (7.4-9.3s): Ana pulls the sheer curtains open and golden dawn floods the room; Ben stretches behind her; camera: tilt up with her arm; then whip pan out of the bright window into S04. Shot 4 (9.3-11s): Leo's bedroom: Leo face-down asleep, mouth open, curls everywhere; the black digital alarm clock on the nightstand blares, red digits flashing; clock red digits "6:30"; camera: whip pan lands, fast push-in toward the clock; then hard cut on "He". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 4. Never show the grid, gutters or panels. 11-second vertical 9:16 musical scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 with 图片5 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片6 is Leo's bedroom; keep its layout. Only Leo and Jen exist; nobody else on screen. Early morning in Leo's bedroom: cool blue dawn through the blinds plus the warm bedside lamp. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-1.82s): Low hero close-up of the black digital alarm clock on the nightstand, lit like a product beauty shot, red digits flashing; clock "6:30"; camera: slow push-in; then cut on "A little". Shot 2 (1.82-3.9s): Wide from beside the bed: the clock blasts, wall posters rattle; Jen bursts into the open doorway, both hands clamped over her ears, wincing; Leo sleeps on; clock "6:30"; camera: quick pull-back to the wide; then reaction cut on "Six". Shot 3 (3.9-6.96s): Close: eyes shut, Leo flops his arm out and slaps the clock's snooze bar three times, once on each "snooze" (16.4, 16.9, 17.3 s), the clock hopping on the wood; clock "6:30"; camera: locked close, small push on each slap; then cut on "Plugged". Shot 4 (6.96-11s): Macro: the clock's black cord plugged into the wall socket behind the nightstand; focus racks up to the digits flashing as it rings again; clock "6:30"; camera: tilt up with rack focus; then hard cut on "But" to the hallway. No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 3 and 4. Never show the grid, gutters or panels. 16-second vertical 9:16 musical scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片4 with 图片5 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片6 is the upstairs hallway outside Leo's room; keep its layout. 图片7 is Leo's bedroom; keep its layout. Only Jen and Leo exist; nobody else on screen. Dawn. Hallway: warm sunrise through the landing window. Leo's bedroom: cool blue dawn through the blinds plus the warm lamp. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-2.42s): Wide upstairs hallway: Jen leans on the wall beside Leo's half-open door, coffee mug in hand, eyes half shut, dozing on her feet; camera: slow push-in; then hold into S10. Shot 2 (2.42-7.37s): Close on Jen: at the first beep from Leo's room her eyes snap open, fully alert; she straightens with a sure little nod (the clock is made for sleepers like her); camera: snap push-in on the beep; then whip pan through Leo's doorway. Shot 3 (7.37-11.32s): High top-down shot of Leo sprawled asleep across the bed, quilt tangled; the clock blares on the nightstand; clock "6:30"; camera: slow overhead descend and rotate; then cut to macro on "brain". Shot 4 (11.32-16s): Extreme close-up of Leo's ear and cheek on the pillow: faint pale sound rings from the clock bounce off his ear; he smiles dreamily, smacks his lips and burrows deeper; camera: macro, slow push-in; then hard cut on "The deep". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 3 and 4. Never show the grid, gutters or panels. 15-second vertical 9:16 musical scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 with 图片5 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片6 is Leo's bedroom; keep its layout. Only Leo and Jen exist; nobody else on screen. Morning in Leo's bedroom: cool blue light through the blinds plus the warm lamp; the clock's red glow on his face. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-2.69s): Extreme close-up of Leo's closed eye and copper lashes, perfectly still and peaceful; the clock's red glow flickers on his cheek; camera: very slow push-in; then cut on "The mornings". Shot 2 (2.69-6.97s): Medium side: Leo props up on one elbow, squints at the clock, slaps the snooze bar, then slides slowly back down under the teal quilt until only his curls show; clock "6:30"; camera: tilt down following him; then cut on "By". Shot 3 (6.97-10.99s): Close: the clock rattles on the nightstand, ringing, Leo's curls soft in the background; clock red digits "6:40"; camera: push-in to the digits; then cut wide on "doing". Shot 4 (10.99-15s): Wide from the foot of the bed: Leo a sleeping lump, clock blaring; Jen in the doorway, arms crossed, one eyebrow up, lets out a long sigh (reaction); clock "6:40"; camera: slow pull-back; then hard cut to Ana and Ben's bedroom on "So". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 4 and 5. Never show the grid, gutters or panels. 15-second vertical 9:16 musical scene, 5 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Ben, a Deaf dad, early 40s, sandy hair and short beard, navy waffle henley, gray-and-navy plaid pajama pants. 图片4 with 图片5 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片6 is Ana and Ben's bedroom (no clock anywhere in it); keep its layout. 图片7 is Leo's bedroom; keep its layout. 图片8 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, worn on Leo's LEFT wrist; match it exactly, never a smartwatch, wide cuff or watch face. 图片9 shows its white LED digits lit through the strap, running along it. Only Ben and Leo exist; nobody else on screen. Dawn: pale-blue light in Ben's room; cool-blue light through Leo's blinds with warm raking light across his bed. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-3.24s): Close: Ben asleep alone, his hand on the pillow as the grey disc under it pulses with small curved ripple marks; camera: slow push-in; then rack focus into S18. Shot 2 (3.24-5.12s): Close: Ben's eyes open calmly at the touch; he smiles and sits up; camera: rack focus from hand to face; then hard cut on "He rings". Shot 3 (5.12-5.99s): quick close: Leo's alarm clock blares; Leo asleep behind it; clock "6:30"; camera: snap zoom; then hard cut on "I buzz". Shot 4 (5.99-8.44s): Macro: the band on Leo's left wrist on the quilt, white digits glowing; narrow curved white ripple marks pulse from both sides, gentle then growing; band LED "06:30"; camera: slow push-in; then cut to medium on "The deep ones". Shot 5 (8.44-15s): Medium side: the band buzzes stronger; Leo's brow twitches, his eyes open, he sits up on his own and swings his legs out, rubbing his eyes; shoulder, elbow and wrist connected; camera: slow dolly in; then hard cut on "He rings". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 5 and 6. Never show the grid, gutters or panels. 16-second vertical 9:16 musical scene, 6 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 with 图片5 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片6 is Leo's bedroom; keep its layout. 图片7 is the upstairs hallway outside Leo's room; keep its layout. 图片8 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, worn on Leo's LEFT wrist; match it exactly, never a smartwatch, wide cuff or watch face. 图片9 shows its white LED digits lit through the strap, running along it. Only Leo and Jen exist; nobody else on screen. Dawn into morning: cool-blue light in Leo's room, warm sunrise in the hallway. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-1.49s): Close: the clock rings in soft focus behind; Leo's left wrist on the quilt in front buzzes with ripple marks; band LED "06:30"; camera: rack focus from clock to band; then cut on "and I keep going". Shot 2 (1.49-4.59s): Leo stands up by the bed, stretching, the band still pulsing; camera: tilt up with him; then cut on "One". Shot 3 (4.59-6.49s): Close: Leo lifts his left forearm to chest height, the band's white digits glowing then fading; his face above; band LED "06:30"; camera: slow orbit; then cut on "No app". Shot 4 (6.49-8.37s): Wide: Leo walks past his desk, his phone face-down and dark on it; camera: tracking with Leo; then cut on "No siren". Shot 5 (8.37-11.84s): Quiet hallway: the closed door across the landing stays shut; Jen walks up the hall calmly with a coffee mug; camera: slow push down the hall; then whip pan on "Just awake". Shot 6 (11.84-16s): Leo strolls out of his room, awake, right past Jen; she freezes, mug halfway to her mouth, eyebrows up, then a stunned smile; camera: whip pan following Leo, settle on Jen; then hard cut on "And here's". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 5. Never show the grid, gutters or panels. 12-second vertical 9:16 musical scene, 5 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 is Leo's bedroom; keep its layout. 图片5 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, worn on Leo's LEFT wrist; match it exactly, never a smartwatch, wide cuff or watch face. 图片6 shows its white LED digits lit through the strap, running along it. Only Leo exist; nobody else on screen. Dawn in Leo's bedroom: soft cool-blue light through the blinds with warm raking light across the bed and wrist. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-2.1s): Leo asleep on his back; the old alarm clock sits dark on the nightstand, its cord unplugged on the floor; the band on his left wrist rests on the quilt; clock display off (unplugged); camera: tilt from the unplugged cord across to the wrist; then cut to macro on "I get". Shot 2 (2.1-3.65s): Macro: the band on Leo's wrist, white digits glowing, small curved ripple marks starting; band LED "06:30"; camera: slow push-in; then pull back into S30. Shot 3 (3.65-7.6s): From macro to medium: the ripple marks grow bigger and faster, the quilt trembles around the wrist; Leo's fingers and brow twitch. Shoulder, elbow and wrist connected; band LED "06:30"; camera: pull back macro to medium; then cut to face on "Gentle". Shot 4 (7.6-9.5s): Close on Leo's face: his eyes snap open, awake; camera: snap push-in; then cut low on "till his feet". Shot 5 (9.5-12s): Low ground-level close: Leo's feet in mismatched striped socks land on the round rug and he stands; camera: low push-in; then hard cut to night on "At night". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 15-second vertical 9:16 musical scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 with 图片5 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片6 is Leo's bedroom; keep its layout. 图片7 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, worn on Leo's LEFT wrist; match it exactly, never a smartwatch, wide cuff or watch face. 图片8 shows its white LED digits lit through the strap, running along it. Only Leo and Jen exist; nobody else on screen. Night: only the warm bedside lamp, deep blue shadows elsewhere; then bright morning light. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-3.65s): Night: Leo sits on the edge of his bed and buckles the slim black band onto his own left wrist; camera: slow push-in; then cut close on "Three alarms". Shot 2 (3.65-6.85s): Close: Leo's left wrist on the quilt; white LED digits glow through the strap; he gives a satisfied nod and lies back as the lamp goes out; band LED "06:30"; camera: macro, then pull back; then cut to morning on "No ringing". Shot 3 (6.85-11.75s): Morning, wide from inside the bedroom: Jen arrives in the doorway with a coffee mug and draws a breath to call him, but the bed is empty and made; she closes her mouth and smiles; camera: slow push toward the doorway; then cut close on "because". Shot 4 (11.75-15s): Close on Jen in the doorway: relieved, she sips her coffee with her eyes closed, savoring the calm; camera: gentle push-in; then hard cut to the hallway on "And listen". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 11-second vertical 9:16 musical scene, 3 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片4 with 图片5 is Leo, 14, wild copper curls, dressed for school in a yellow hoodie, jeans, white sneakers and a navy backpack. 图片6 is the upstairs hallway outside Leo's room; keep its layout. Only Jen and Leo exist; nobody else on screen. Morning in the upstairs hallway: warm sunlight through the landing window. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-3.61s): Jen sits on the top stair holding a small stack of blank pink school slips, looks at them, then lets them slide off her lap into a paper recycling bin by the banister; pink slips are blank, no text; camera: slow push-in; then cut wider as Leo sits on "It was never". Shot 2 (3.61-6.86s): Two-shot: Leo, dressed for school in his yellow hoodie, sits down beside her on the step and bumps her shoulder with a sweet, sleepy smile; she smiles back; camera: gentle arc; then cut top-down on "It was an alarm". Shot 3 (6.86-11s): Top-down close: Jen's hands drop the black digital alarm clock, its cord wrapped round it, into a cardboard donation box on the landing; clock display off; camera: top-down, slight push; then hard cut to dawn on "Week one". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 12-second vertical 9:16 musical scene, 3 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 is the same Leo dressed for school (yellow hoodie, jeans, white sneakers, navy backpack); use it whenever he is dressed. 图片5 with 图片6 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片7 is Leo's bedroom; keep its layout. 图片8 is the upstairs hallway outside Leo's room; keep its layout. 图片9 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, worn on Leo's LEFT wrist; match it exactly, never a smartwatch, wide cuff or watch face. 图片10 shows its white LED digits lit through the strap, running along it. Only Leo and Jen exist; nobody else on screen. Week one: dawn in the bedroom. Week two: morning sun in the hallway. Week three: night, the warm lamp only. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-4.75s): Dawn: the band on Leo's left wrist pulses ripple marks; Leo sits up quietly, rubs his eyes, calm, puts his feet on the floor; no alarm clock on the nightstand; band LED "06:30"; camera: slow push-in; then whip pan to the hallway on "Week two". Shot 2 (4.75-7.07s): Hallway: Jen raises her fist to knock on Leo's door, but it swings open first and Leo in his yellow school hoodie strolls out; her fist hangs in mid-air (reaction); camera: medium, whip pan following Leo; then hard cut to night on "Week three". Shot 3 (7.07-12s): Night: Leo in his sleep tee checks the white "06:30" glowing on his band, grins, and flops back into bed as the lamp goes out; band LED "06:30"; camera: overhead, slow descend; then hard cut to the school on "His mornings". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 13-second vertical 9:16 musical scene, 3 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, wild copper curls, dressed for school in a yellow hoodie, jeans, white sneakers and a navy backpack. 图片4 with 图片5 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片6 with 图片7 is Mr. Hale, Leo's teacher, late 50s, bald with gray sides, round tortoiseshell glasses, gray mustache, light-blue shirt and navy knit tie. 图片8 is the front steps of Leo's school (no signs or lettering); keep its layout. Only Leo, Jen and Mr. Hale exist; nobody else on screen. Bright, crisp early-morning sun from the left, long soft shadows, clear blue sky. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it, with one exception: Jen lip-syncs her quoted line "Nothing. This is just what deaf families have used for years." (7.75-11.35s) to Mr. Hale. Only Jen speaks, only that line; every other mouth stays closed. Shot 1 (0-3.91s): Leo in his yellow hoodie and backpack hops up the school steps, relaxed and early, and waves over his shoulder to Jen on the sidewalk; camera: slow crane up; then cut to two-shot on "His teacher". Shot 2 (3.91-7.25s): Two-shot at the foot of the steps: Mr. Hale walks over to Jen, eyebrows raised over his glasses, and gestures toward the doors Leo went through, curious; his lips stay closed; camera: slow push-in; then over-the-shoulder cut on "She said". Shot 3 (7.25-13s): Close on Jen over Mr. Hale's shoulder: with a knowing smile she says her quoted line to him; he nods, impressed; camera: slow push-in on Jen; then hard cut to the band hero on "Dawn Band". No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 16-second vertical 9:16 musical scene, 4 shots, DreamWorks-style 3D animated feature: caricatured, elastic, highly expressive characters, strong brows, textured materials, cinematic warm/cool lighting with crisp rim light. 图片2 with 图片3 is Leo, 14, a lanky boy with wild copper curls and freckles in a faded purple sleep tee, gray sweatpants and mismatched striped socks. 图片4 with 图片5 is Jen, Leo's mom, early 40s, copper-auburn hair in a low ponytail, oatmeal knit cardigan over a teal tee, jeans. 图片6 is Leo's bedroom; keep its layout. 图片7 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, worn on Leo's LEFT wrist; match it exactly, never a smartwatch, wide cuff or watch face. 图片8 shows its white LED digits lit through the strap, running along it. Only Leo and Jen exist; nobody else on screen. Dawn into bright warm morning light in Leo's bedroom. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0-3.17s): Hero macro: dawn, Leo's left wrist on the teal quilt, the band with white digits glowing and the first gentle ripple marks; band LED "06:30"; camera: slow orbit; then cut to the nightstand on "Two of me". Shot 2 (3.17-8s): Close: two identical slim black Dawn Bands, each fastened into a loop, stand side by side on the nightstand in warm light, one with white digits lit; one band LED "06:30"; no clock on the nightstand; camera: slow push-in; then cut to medium on "Sixty nights". Shot 3 (8-12.2s): Medium side: Leo, band on his left wrist, sits up and puts both feet on the floor, grinning; Jen appears in the doorway smiling; camera: slow dolly in; then cut wide on "Tap below". Shot 4 (12.2-16s): Wide: Jen in the doorway with her coffee, warm smile at Leo, who stretches by the sunny window; hold for the end card; camera: slow pull-back, then hold; then end card. No music, no speech, no narration on Kling's track. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.










Song clock = songs/cut/s2-take1.mp3 (158.26 s). Shot start = the cut (placed just before the line's first sung word, from s2-take1.words.json). Clip-relative times are in each kling/clip-XX.txt. Panel = drawn on that clip's canvas (P1-P3, left to right).
Cast (only these exist): Leo (14, reused sheets), Jen (Leo's mom, new), Ana and Ben (Deaf parents, new), Mr. Hale (Leo's teacher, new). "I" = the Dawn Band (never a face, never a smartwatch). "He" = Leo's black digital alarm clock. Places: Leo's bedroom + upstairs hallway (reused plates), Ana and Ben's bedroom + school entrance (new plates).
Time continuity: clock "6:30" ringing (C01-C03, C05-C06) → "6:40" (C04) → unplugged and dark (C07) → in the donation box (C09) → gone from the nightstand (C08 morning, C10-C12). Band LED always "06:30". Deaf bedroom has no clock at all.
| Shot | Clip | Song s | Lyric | Picture (action → result) | Camera | Transition | In-scene text | On screen | Panel |
|---|---|---|---|---|---|---|---|---|---|
| S01 | 01 | 0.00-4.00 | Nobody who's deaf wakes up to an alarm clock. | Wide from the foot of the bed in Ana and Ben's bedroom: both asleep; the small round grey bed-shaker disc half under Ben's pillow buzzes with short curved ripple marks and the right-hand lamp blinks on and off; both open their eyes, rested | slow push-in | hard cut on "Not" | none; no clock in this room | Ana, Ben | P1 |
| S02 | 01 | 4.00-7.40 | Not because it's bad, no. | Medium two-shot: they sit up against the headboard; Ben signs good morning with a warm grin, Ana laughs and signs back | gentle arc around the bed | match on Ana turning to the window | none | Ana, Ben | P2 |
| S03 | 01 | 7.40-9.30 | They moved past it years ago, | Ana pulls the sheer curtains open and golden dawn floods the room; Ben stretches behind her | tilt up with her arm | whip pan out of the bright window into S04 | none | Ana, Ben | |
| S04 | 01 | 9.30-11.00 | and nobody hearing let you know. | Leo's bedroom: Leo face-down asleep, mouth open, curls everywhere; the black digital alarm clock on the nightstand blares, red digits flashing | whip pan lands, fast push-in toward the clock | hard cut on "He" | clock red digits "6:30" | Leo | P3 |
| S05 | 02 | 11.00-12.82 | He wasn't a scam, I'll give him that much. | Low hero close-up of the black digital alarm clock on the nightstand, lit like a product beauty shot, red digits flashing | slow push-in | cut on "A little" | clock "6:30" | (clock) | P1 |
| S06 | 02 | 12.82-14.90 | A little speaker loud enough to wake the whole house up. | Wide from beside the bed: the clock blasts, wall posters rattle; Jen bursts into the open doorway, both hands clamped over her ears, wincing; Leo sleeps on | quick pull-back to the wide | reaction cut on "Six" | clock "6:30" | Jen, Leo | P2 |
| S07 | 02 | 14.90-17.96 | Six alarms, max volume, snooze, snooze, snooze again. | Close: eyes shut, Leo flops his arm out and slaps the clock's snooze bar three times, once on each "snooze" (16.4, 16.9, 17.3 s), the clock hopping on the wood | locked close, small push on each slap | cut on "Plugged" | clock "6:30" | Leo | |
| S08 | 02 | 17.96-21.58 | Plugged in by the bed, he rings right on time. | Macro: the clock's black cord plugged into the wall socket behind the nightstand; focus racks up to the digits flashing as it rings again | tilt up with rack focus | hard cut on "But" to the hallway | clock "6:30" | (clock) | P3 |
| S09 | 03 | 21.58-24.00 | But read who he was actually made for: | Wide upstairs hallway: Jen leans on the wall beside Leo's half-open door, coffee mug in hand, eyes half shut, dozing on her feet | slow push-in | hold into S10 | none | Jen | P1 |
| S10 | 03 | 24.00-28.95 | a sleeper already light, already half awake, already sure. | Close on Jen: at the first beep from Leo's room her eyes snap open, fully alert; she straightens with a sure little nod (the clock is made for sleepers like her) | snap push-in on the beep | whip pan through Leo's doorway | none | Jen | |
| S11 | 03 | 28.95-32.90 | And if your kid sleeps deep, somewhere down the line | High top-down shot of Leo sprawled asleep across the bed, quilt tangled; the clock blares on the nightstand | slow overhead descend and rotate | cut to macro on "brain" | clock "6:30" | Leo | P2 |
| S12 | 03 | 32.90-36.61 | his brain filed that ring as spam, every single time. | Extreme close-up of Leo's ear and cheek on the pillow: faint pale sound rings from the clock bounce off his ear; he smiles dreamily, smacks his lips and burrows deeper | macro, slow push-in | hard cut on "The deep" | none | Leo | P3 |
| S13 | 04 | 36.61-39.30 | The deep sleep, he never even reached it. | Extreme close-up of Leo's closed eye and copper lashes, perfectly still and peaceful; the clock's red glow flickers on his cheek | very slow push-in | cut on "The mornings" | none | Leo | P1 |
| S14 | 04 | 39.30-43.58 | The mornings he did reach him, he snoozed and slid back down. | Medium side: Leo props up on one elbow, squints at the clock, slaps the snooze bar, then slides slowly back down under the teal quilt until only his curls show | tilt down following him | cut on "By" | clock "6:30" | Leo | |
| S15 | 04 | 43.58-47.60 | By six-forty he's still ringing on the nightstand, | Close: the clock rattles on the nightstand, ringing, Leo's curls soft in the background | push-in to the digits | cut wide on "doing" | clock red digits "6:40" | Leo | P2 |
| S16 | 04 | 47.60-50.96 | doing nothing for the kid asleep beside him. | Wide from the foot of the bed: Leo a sleeping lump, clock blaring; Jen in the doorway, arms crossed, one eyebrow up, lets out a long sigh (reaction) | slow pull-back | hard cut to Ana and Ben's bedroom on "So" | clock "6:40" | Leo, Jen | P3 |
| S17 | 05 | 50.96-54.20 | So deaf families went further. | Close: Ben asleep alone, his hand on the pillow as the grey disc under it pulses with small curved ripple marks | slow push-in | rack focus into S18 | none | Ben | P1 |
| S18 | 05 | 54.20-56.08 | They wake up by touch. | Close: Ben's eyes open calmly at the touch; he smiles and sits up | rack focus from hand to face | hard cut on "He rings" | none | Ben | |
| S19 | 05 | 56.08-56.95 | He rings, | quick close: Leo's alarm clock blares; Leo asleep behind it | snap zoom | hard cut on "I buzz" | clock "6:30" | Leo | |
| S20 | 05 | 56.95-59.40 | I buzz, right on the wrist, and I keep on building. | Macro: the band on Leo's left wrist on the quilt, white digits glowing; narrow curved white ripple marks pulse from both sides, gentle then growing | slow push-in | cut to medium on "The deep ones" | band LED "06:30" | Leo | P2 |
| S21 | 05 | 59.40-65.91 | The deep ones, the ADHD ones, the ones you haven't seen wake up alone in years. | Medium side: the band buzzes stronger; Leo's brow twitches, his eyes open, he sits up on his own and swings his legs out, rubbing his eyes; shoulder, elbow and wrist connected | slow dolly in | hard cut on "He rings" | none | Leo | P3 |
| S22 | 06 | 65.91-67.40 | He rings, I buzz, | Close: the clock rings in soft focus behind; Leo's left wrist on the quilt in front buzzes with ripple marks | rack focus from clock to band | cut on "and I keep going" | band LED "06:30" | Leo | P1 |
| S23 | 06 | 67.40-70.50 | and I keep going. | Leo stands up by the bed, stretching, the band still pulsing | tilt up with him | cut on "One" | none | Leo | |
| S24 | 06 | 70.50-72.40 | One band, that's the whole routine. | Close: Leo lifts his left forearm to chest height, the band's white digits glowing then fading; his face above | slow orbit | cut on "No app" | band LED "06:30" | Leo | |
| S25 | 06 | 72.40-74.28 | No app, no phone in bed, no screen. | Wide: Leo walks past his desk, his phone face-down and dark on it | tracking with Leo | cut on "No siren" | none; phone face-down, no screen visible | Leo | |
| S26 | 06 | 74.28-77.75 | No siren, no sister up, no yelling down the hall. | Quiet hallway: the closed door across the landing stays shut; Jen walks up the hall calmly with a coffee mug | slow push down the hall | whip pan on "Just awake" | none | Jen | P2 |
| S27 | 06 | 77.75-81.30 | Just awake, like he finally did it all himself. | Leo strolls out of his room, awake, right past Jen; she freezes, mug halfway to her mouth, eyebrows up, then a stunned smile | whip pan following Leo, settle on Jen | hard cut on "And here's" | none | Leo, Jen | P3 |
| S28 | 07 | 81.30-83.40 | And here's the part that he never had. | Leo asleep on his back; the old alarm clock sits dark on the nightstand, its cord unplugged on the floor; the band on his left wrist rests on the quilt | tilt from the unplugged cord across to the wrist | cut to macro on "I get" | clock display off (unplugged) | Leo | P1 |
| S29 | 07 | 83.40-84.95 | I get stronger till he's up. | Macro: the band on Leo's wrist, white digits glowing, small curved ripple marks starting | slow push-in | pull back into S30 | band LED "06:30" | Leo | P2 |
| S30 | 07 | 84.95-88.90 | Three times stronger than a smartwatch, every single day. | From macro to medium: the ripple marks grow bigger and faster, the quilt trembles around the wrist; Leo's fingers and brow twitch. Shoulder, elbow and wrist connected | pull back macro to medium | cut to face on "Gentle" | band LED "06:30" | Leo | |
| S31 | 07 | 88.90-90.80 | Gentle first, then stronger, | Close on Leo's face: his eyes snap open, awake | snap push-in | cut low on "till his feet" | none | Leo | |
| S32 | 07 | 90.80-92.45 | till his feet hit the floor. | Low ground-level close: Leo's feet in mismatched striped socks land on the round rug and he stands | low push-in | hard cut to night on "At night" | none | Leo | P3 |
| S33 | 08 | 92.45-96.10 | At night, buckle me on, that's all it takes. | Night: Leo sits on the edge of his bed and buckles the slim black band onto his own left wrist | slow push-in | cut close on "Three alarms" | none | Leo | P1 |
| S34 | 08 | 96.10-99.30 | Three alarms, set right on me. | Close: Leo's left wrist on the quilt; white LED digits glow through the strap; he gives a satisfied nod and lies back as the lamp goes out | macro, then pull back | cut to morning on "No ringing" | band LED "06:30" | Leo | P2 |
| S35 | 08 | 99.30-104.20 | No ringing, no pounding, no mom in the doorway saying his name ten times, | Morning, wide from inside the bedroom: Jen arrives in the doorway with a coffee mug and draws a breath to call him, but the bed is empty and made; she closes her mouth and smiles | slow push toward the doorway | cut close on "because" | none; no alarm clock on the nightstand | Jen | P3 |
| S36 | 08 | 104.20-107.34 | because you don't have the mornings to spare. | Close on Jen in the doorway: relieved, she sips her coffee with her eyes closed, savoring the calm | gentle push-in | hard cut to the hallway on "And listen" | none | Jen | |
| S37 | 09 | 107.34-110.95 | And listen, the late slips weren't something you did. | Jen sits on the top stair holding a small stack of blank pink school slips, looks at them, then lets them slide off her lap into a paper recycling bin by the banister | slow push-in | cut wider as Leo sits on "It was never" | pink slips are blank, no text | Jen | P1 |
| S38 | 09 | 110.95-114.20 | It was never his attitude. | Two-shot: Leo, dressed for school in his yellow hoodie, sits down beside her on the step and bumps her shoulder with a sweet, sleepy smile; she smiles back | gentle arc | cut top-down on "It was an alarm" | none | Jen, Leo | P2 |
| S39 | 09 | 114.20-117.90 | It was an alarm built for somebody else's ears. | Top-down close: Jen's hands drop the black digital alarm clock, its cord wrapped round it, into a cardboard donation box on the landing | top-down, slight push | hard cut to dawn on "Week one" | clock display off | Jen | P3 |
| S40 | 10 | 117.90-122.65 | Week one, I'm just a very good alarm. No noise, no fuss, no fights. | Dawn: the band on Leo's left wrist pulses ripple marks; Leo sits up quietly, rubs his eyes, calm, puts his feet on the floor; no alarm clock on the nightstand | slow push-in | whip pan to the hallway on "Week two" | band LED "06:30" | Leo | P1 |
| S41 | 10 | 122.65-124.97 | Week two, he starts beating your knock. | Hallway: Jen raises her fist to knock on Leo's door, but it swings open first and Leo in his yellow school hoodie strolls out; her fist hangs in mid-air (reaction) | medium, whip pan following Leo | hard cut to night on "Week three" | none | Jen, Leo | P2 |
| S42 | 10 | 124.97-128.95 | Week three, he set me himself one night and went to bed. | Night: Leo in his sleep tee checks the white "06:30" glowing on his band, grins, and flops back into bed as the lamp goes out | overhead, slow descend | hard cut to the school on "His mornings" | band LED "06:30" | Leo | P3 |
| S43 | 11 | 128.95-132.86 | His mornings looked calmer than they had in years. | Leo in his yellow hoodie and backpack hops up the school steps, relaxed and early, and waves over his shoulder to Jen on the sidewalk | slow crane up | cut to two-shot on "His teacher" | none | Leo, Jen | P1 |
| S44 | 11 | 132.86-136.20 | His teacher asked what changed at home. | Two-shot at the foot of the steps: Mr. Hale walks over to Jen, eyebrows raised over his glasses, and gestures toward the doors Leo went through, curious; his lips stay closed | slow push-in | over-the-shoulder cut on "She said" | none | Mr. Hale, Jen | P2 |
| S45 | 11 | 136.20-141.20 | She said, "Nothing. This is just what deaf families have used for years." | Close on Jen over Mr. Hale's shoulder: with a knowing smile she says her quoted line to him; he nods, impressed | slow push-in on Jen | hard cut to the band hero on "Dawn Band" | none | Jen, Mr. Hale | P3 |
| S46 | 12 | 141.20-144.37 | Dawn Band, ten thousand parents and counting. | Hero macro: dawn, Leo's left wrist on the teal quilt, the band with white digits glowing and the first gentle ripple marks | slow orbit | cut to the nightstand on "Two of me" | band LED "06:30" | Leo | P1 |
| S47 | 12 | 144.37-149.20 | Two of me for sixty-nine ninety-eight, one for every kid. | Close: two identical slim black Dawn Bands, each fastened into a loop, stand side by side on the nightstand in warm light, one with white digits lit | slow push-in | cut to medium on "Sixty nights" | one band LED "06:30"; no clock on the nightstand | (product) | P2 |
| S48 | 12 | 149.20-153.40 | Sixty nights, money back. If he doesn't wake up, you don't pay. | Medium side: Leo, band on his left wrist, sits up and puts both feet on the floor, grinning; Jen appears in the doorway smiling | slow dolly in | cut wide on "Tap below" | none | Leo, Jen | P3 |
| S49 | 12 | 153.40-157.20 | Tap below, moms. | Wide: Jen in the doorway with her coffee, warm smile at Leo, who stretches by the sunny window; hold for the end card | slow pull-back, then hold | end card | none | Jen, Leo |
Directing notes
- Wide/close alternate in every clip; reaction shots after the reveals: S06 (Jen hands on ears), S16 (Jen sigh), S27 (Jen frozen mug), S41 (fist mid-air), S45 (Hale nods).
- Mirrors the source ad: product hero push-ins (S05 clock as "he", S20/S24/S46 band as "I"), extreme macro inserts (S12 ear, S13 eye, like Blushe's lash macros), routine montage (C10 week one/two/three) and the "friend asks" beat (C11).
- No band button press anywhere; every wake ends on sitting up / feet on the floor (S21, S32, S40, S48). Band is only ever worn on Leo's LEFT wrist, except S47 product still life (two fastened loops on the nightstand, matching band.png).
- Only S45 has moving lips (Jen, QUOTED). Mr. Hale's "asked" (S44) is acted with brows and a gesture, lips closed.
Kling length = span rounded up to a whole second; spare picture is trimmed in the edit. Audio slice = audio/clip-XX.mp3 (same span).
| Clip | Shots | Lyric rows | Song span (s) | Span | Kling length | Refs (after canvas) |
|---|---|---|---|---|---|---|
| 01 | S01-S04 | 1-3 | 0.00-11.00 | 11.00 | 11 s | ana, ana_exp, ben, ben_exp, deafroom, leo, leo_exp, bedroom |
| 02 | S05-S08 | 4-7 | 11.00-21.58 | 10.58 | 11 s | leo, leo_exp, mom, mom_exp, bedroom |
| 03 | S09-S12 | 8-9 | 21.58-36.61 | 15.03 | 16 s | mom, mom_exp, leo, leo_exp, hallway, bedroom |
| 04 | S13-S16 | 10-12 | 36.61-50.96 | 14.35 | 15 s | leo, leo_exp, mom, mom_exp, bedroom |
| 05 | S17-S21 | 13-15 | 50.96-65.91 | 14.95 | 15 s | ben, ben_exp, deafroom, leo, leo_exp, bedroom, band, band_led |
| 06 | S22-S27 | 16-20 | 65.91-81.30 | 15.39 | 16 s | leo, leo_exp, mom, mom_exp, bedroom, hallway, band, band_led |
| 07 | S28-S32 | 21-23 | 81.30-92.45 | 11.15 | 12 s | leo, leo_exp, bedroom, band, band_led |
| 08 | S33-S36 | 24-26 | 92.45-107.34 | 14.89 | 15 s | leo, leo_exp, mom, mom_exp, bedroom, band, band_led |
| 09 | S37-S39 | 27-29 | 107.34-117.90 | 10.56 | 11 s | mom, mom_exp, leo_school, leo_exp, hallway |
| 10 | S40-S42 | 30-32 | 117.90-128.95 | 11.05 | 12 s | leo, leo_exp, leo_school, mom, mom_exp, bedroom, hallway, band, band_led |
| 11 | S43-S45 | 33-35 | 128.95-141.20 | 12.25 | 13 s | leo_school, leo_exp, mom, mom_exp, hale, hale_exp, school |
| 12 | S46-S49 | 36-39 | 141.20-157.20 | 16.00 | 16 s | leo, leo_exp, mom, mom_exp, bedroom, band, band_led |
Total Kling seconds: 163 s → about 2200 credits at 13.5 cr/s (1080p). Song tail 157.20-158.26 runs under the end card.
Clip 12 covers 16.00 s of song (141.20-157.20); the remaining 1.06 s of outro sits on the end card.
Stopped before video, as briefed. Nothing was submitted to omni_ref_video and nothing was posted to Discord.
tags.md: 39 lyric lines on the song clock (404/404 words aligned). 38 NARRATION, 1 QUOTED (row 35, Jen to Mr. Hale). No TO-CAMERA lines: the singer is the band, and it has no face.storyboard.md: 49 shots (S01-S49) with song-clock times, lyric, action, camera move, transition, in-scene text, characters and canvas panel. Source: tools/sb.py, the single source for every doc and prompt.clips.md: 12 clips of 11-16 s each, every one ending on a lyric/scene break. 163 Kling seconds in total.audio/clip-01..12.mp3: song slices cut with ffmpeg -nostdin. All 12 are uploaded, with their URLs in the inputs files.refs/: 10 new sheets: Jen (mom) turnaround + expressions, Ana + Ben (Deaf parents) turnarounds + expressions, Mr. Hale (teacher) turnaround + expressions, Ana and Ben's bedroom plate (bed-shaker disc, no clock), school entrance plate (no signage). Reused: leo, leo_exp, leo_school, bedroom, hallway, band, band_led. refs/urls.txt lists 42 labelled Kling URLs (refs, canvases, audio). Prompts are in refs/prompts/.canvases/canvas-01..12.png (+ canvas-07r.png, the repaired version) and canvas-prompts/. Panel-by-panel review: canvases/REVIEW.md.kling/clip-XX.txt: all 12 are ≤2,500 chars (largest: clip 06 at 2,492). Each uses 图片1 = canvas, cast turnaround + expressions, plate(s), band.png + band_led.jpg when the band shows, 音频1 = the slice "use it only for timing; nobody on screen sings it", the cast lock and the full no-text line. Clip 11 adds the QUOTED exception (Jen lip-syncs at 7.75-11.35 s). kling/clip-XX.inputs.txt gives ordered URLs, the audio path, its span and the CLI settings (1080p, 9:16, enable_audio false).gen.sh misparsed the result JSON and auto-resubmitted the Jen turnaround 3 extra times (4 billed, 1 used). Fixed: the parser reads the final JSON, and the script never re-runs a submitted job.python3 ../tools/kie_img.py <out.png> <prompt.txt> <local refs...> --ar 16:9 --res 2K (~6-10 kie credits, no watermark), then kling file_upload the final image. None were needed after the switch: every sheet and canvas was already generated and reviewed, so nothing was regenerated.Swipe of Enhanced Scents · 335k visits/mo · #2 of 62 · 82 d
Source: slow country-pop ballad, woman confessing, first person; AI photoreal; 345 words / 166 s = 2.08 wps. Lands on PDP /products/allure.
Beats: taboo confession + secret cause → her loss → public event, the rival winning where she lost, she holds it together → spots the thing → needs to know, even from the rival → asks sweetly → rival names it, credits it for her win, laughs → "handed me a loaded gun" → buys it that night → hand-off, ex freezes → walks her to the car while the new wife watches → ex texts → two-word reply → left on delivered.
Why it fits: a mom being judged for mornings is Dawn's most common pain (91% wake the kid themselves; "Mornings turned into daily fights" 13%). Blended families are untested for us, and the payoff is vindication, not fear.
| # | Enhanced Scents (verbatim) | Dawn |
|---|---|---|
| 1 | My ex-husband fucked me three weeks after his wedding. | My son picked his dad's house three weeks after the wedding. |
| 2 | His bride was at home. | I was right down the hall. |
| 3 | He was in my bed because he walked through my door and got hard before he sat down. | He picked their house because over there he's up on time and nobody yells his name ten times. |
| 4 | I just smell like something she doesn't. | Their house has something mine doesn't. |
| 5 | Twelve years married, he left six months later. | Fourteen years I woke that boy up. He left in a weekend. |
| 6 | I'm in the third row watching this man grip another woman's hand at the altar like she's made of gold, crying at his own vows. | I'm in the third row watching my son stand next to her at the altar like she hung the moon, grinning through their vows. |
| 7 | This man never cried over me a day in his life. | That boy hasn't smiled at me before noon in two years. |
| 8 | I'm holding it together with everything I got. | I'm holding it together with everything I got. |
| 9 | Then the bride walks back down that aisle, passes right by me, and I caught this scent. | Then my son walks back down that aisle, passes right by me, and I saw it on his wrist. |
| 10 | I forgot all about being sad. | I forgot all about being sad. |
| 11 | It hit me like a wall, the kind where your whole head turns, the kind where you need to know what it is, even though she's the woman marrying your ex-husband in front of God and everybody. | A plain black band. Not a watch. The kind where your whole head turns, the kind where you need to know what it is, even though she's the woman marrying your ex-husband in front of God and everybody. |
| 12 | Reception, waited till she was at the bar alone. Kept it sweet. | Reception, waited till she was at the bar alone. Kept it sweet. |
| 13 | "You look beautiful. What perfume are you wearing?" | [Q: me] "You look beautiful. What's that on his wrist?" |
| 14 | She said, "It's called Allure by Enhanced Scents. My maid of honor got it for me. Honestly, I think it's why he proposed so fast." | She said, [Q: new wife] "It's called Dawn Band. It buzzes on his wrist till he gets up. Honestly, his dad thinks it's his parenting." |
| 15 | And she laughed. | And she laughed. |
| 16 | She had no idea she just handed me a loaded gun at her own wedding. | She had no idea she just handed me back my son at her own wedding. |
| 17 | Grabbed three bottles before I took my heels off. | Ordered one before I took my heels off. |
| 18 | Kid hand off a couple weeks later. | His week at my house, a couple weeks later. |
| 19 | Dropped the kids at his place wearing every single drop. | Dropped him at his dad's Friday morning, ten minutes early, dressed, backpack on. |
| 20 | This man opened the door and froze, stood there, forgot what he was about to say. | This man opened the door and froze, stood there, forgot what he was about to say. |
| 21 | His new wife standing in the hallway behind him, and his eyes locked on me. | His new wife standing in the hallway behind him, and his eyes locked on me. |
| 22 | He walked me to my car. | He walked me to my car. |
| 23 | His wife in the doorway, watching a brand-new husband walk his ex-wife to her car like a lovesick teenager. | His wife in the doorway, watching her brand-new husband walk his ex-wife to her car, asking how I did it. |
| 24 | That night, phone lights up, him. | That night, phone lights up, him. |
| 25 | "You smelled incredible today. I haven't been able to think straight since you left. What was that?" | "He was up before you all week. He says he wants school weeks at your place now. What did you do?" |
| 26 | This man is two weeks into a marriage, texting his ex-wife about how she smelled. | This man spent two years telling everybody I couldn't get my own kid out of bed. |
| 27 | I type back two words, "I know." | I type back two words, "Ask her." |
| 28 | Left them on delivered. | Left it on delivered. |
On-screen 0-3 s: My son picked his dad's house over mornings
Suno style: slow country-pop ballad, female vocalist early 30s, warm Southern alto, acoustic guitar and soft pedal steel, conversational storytelling, sparse verses, builds at the wedding, quiet last line · negative: rap, autotune, choir, EDM, spoken-word intro
Song: songs/cut/s3-take1.mp3 (183.16 s). Times = first/last word on that clock (songs/cut/s3-take1.words.json).
Narrator = Tasha (the mom, first person). Default tag NARRATION: Tasha's lips closed, she acts it, never looks at camera.
QUOTED = only the quoted character lip-syncs the quoted words; everyone else closed. INNER THOUGHT = closed lips, close-up.
TEXT = the words appear on a phone screen as exact text; nobody sings or mouths them on camera.
| # | Time (s) | Lyric (Dawn column, as sung) | Tag | Who is on screen |
|---|---|---|---|---|
| 1 | 0.30-4.50 | My son picked his dad's house three weeks after the wedding. | NARRATION (hook) | Malik leaves with a duffel; Tasha watches |
| 2 | 4.70-6.52 | I was right down the hall. | NARRATION | Tasha alone in the hallway |
| 3 | 7.86-15.02 | He picked their house because over there he's up on time and nobody yells his name ten times. | NARRATION | Malik asleep through his phone alarm; Tasha calling from the doorway (silent action, not the lyric) |
| 4 | 15.90-17.82 | Their house has something mine doesn't. | INNER THOUGHT | Tasha close-up on his empty bed |
| 5 | 19.20-24.40 | Fourteen years I woke that boy up. He left in a weekend. | NARRATION | Tasha tugging his quilt; empty closet |
| 6 | 25.80-35.74 | I'm in the third row watching my son stand next to her at the altar like she hung the moon, grinning through their vows. | NARRATION | Tasha 3rd row; Darnell + Simone + Malik at altar |
| 7 | 36.06-40.14 | That boy hasn't smiled at me before noon in two years. | INNER THOUGHT | Tasha close-up |
| 8 | 40.50-44.32 | I'm holding it together with everything I got. | NARRATION (close) | Tasha, fingers at chin, holding back tears |
| 9 | 47.30-53.72 | Then my son walks back down that aisle, passes right by me, and I saw it on his wrist. | NARRATION | Recessional; Malik passes her; band insert |
| 10 | 55.94-61.22 | I forgot all about being sad. | INNER THOUGHT | Tasha's face changes, turns |
| 11a | 61.34-68.04 | A plain black band. Not a watch. The kind where your whole head turns, | NARRATION | Band insert (dark, idle); Tasha's head turns |
| 11b | 68.50-78.14 | the kind where you need to know what it is, even though she's the woman marrying your ex-husband in front of God and everybody. | NARRATION | Tasha leaning in; couple at the end of the aisle; wide of the hall |
| 12 | 78.20-84.26 | Reception, waited till she was at the bar alone. Kept it sweet. | NARRATION | Reception; Simone alone at bar; Tasha approaches |
| 13 | 85.28-89.10 | "You look beautiful. What's that on his wrist?" | QUOTED: Tasha | Tasha lip-syncs; Simone listens, lips closed |
| 14a | 90.18-90.58 | She said, | NARRATION | Simone turns to her |
| 14b | 90.62-98.82 | "It's called Dawn Band. It buzzes on his wrist till he gets up. Honestly, his dad thinks it's his parenting." | QUOTED: Simone | Simone lip-syncs; Tasha listens, lips closed |
| 15 | 100.94-101.74 | And she laughed. | NARRATION | Simone laughs (open-mouth laugh is an action, no words) |
| 16 | 102.68-106.12 | She had no idea she just handed me back my son at her own wedding. | INNER THOUGHT | Tasha close-up, slow knowing smile |
| 17 | 110.04-112.24 | Ordered one before I took my heels off. | NARRATION + phone TEXT ("Dawn Band", "Order placed") | Tasha in her kitchen, still in the dress and heels |
| 18 | 113.42-115.70 | His week at my house, a couple weeks later. | NARRATION | Band "06:30" wakes Malik; he sits up, feet on the floor |
| 19 | 117.02-121.32 | Dropped him at his dad's Friday morning, ten minutes early, dressed, backpack on. | NARRATION + dashboard clock "7:50" | Car; Malik walks up the path |
| 20 | 122.46-127.68 | This man opened the door and froze, stood there, forgot what he was about to say. | NARRATION | Darnell at his door (wordless, lips closed) |
| 21 | 128.94-134.18 | His new wife standing in the hallway behind him, and his eyes locked on me. | NARRATION | Simone in the hallway; Darnell's stare |
| 22 | 135.68-137.08 | He walked me to my car. | NARRATION | Darnell + Tasha down the path |
| 23 | 139.30-149.44 | His wife in the doorway, watching her brand-new husband walk his ex-wife to her car, asking how I did it. | NARRATION | Simone in the doorway; Darnell gesturing questions, lips closed |
| 24 | 150.84-155.08 | That night, phone lights up, him. | NARRATION + phone TEXT (notification "Darnell") | Kitchen at night |
| 25 | 155.14-161.46 | "He was up before you all week. He says he wants school weeks at your place now. What did you do?" | TEXT (Darnell's message on the phone screen, exact) | Phone screen; Tasha reading, lips closed. Not sung on camera |
| 26 | 164.26-170.40 | This man spent two years telling everybody I couldn't get my own kid out of bed. | INNER THOUGHT | Tasha close-up; flashback of the doorway mornings |
| 27 | 173.72-176.78 | I type back two words, "Ask her." | TEXT (her reply bubble "Ask her.") | Thumbs typing; sent bubble. Nobody mouths it |
| 28 | 179.08-180.66 | Left it on delivered. | NARRATION + phone TEXT ("Delivered") | Phone on the counter; Tasha sips tea, smiles |
Notes - No TO-CAMERA lines: the source never breaks the fourth wall, and the brief's Kling rule allows on-camera singing only for QUOTED lines. Line 1 could become TO-CAMERA if Fish wants a hook test (one extra clip-01 take). - Transcript drift vs the lyric sheet: line 19 transcribed "dress," (sung "dressed,"), line 27 "typed" (lyric "type"). Timings unaffected. - Story-logic flag (lyric, not picture): line 1 says he left "three weeks after the wedding" while lines 9-16 show him already living at dad's at the wedding. The picture plays lines 1-5 as the present-day hook and the wedding as "how it happened"; no fix needed on screen. - No profanity anywhere (source line 1 profanity replaced by the Dawn line).

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 4 and 5. Never show the grid, gutters or panels. 16-second vertical 9:16 dramatic scene, 5 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片4 with 图片5 is Malik, 14, her son, short twists, gray t-shirt and navy joggers. 图片6 is Tasha's hallway; keep its layout. 图片7 is Malik's bedroom at Tasha's house; keep its layout. Only Tasha and Malik exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-2.5s): Wide down the hallway: Malik, black duffel bag on one shoulder, walks away toward the front door at the far end; Tasha in her bedroom doorway in the foreground right, holding his folded gray hoodie, watching him go; slow push down the hallway; hard cut on "three". Shot 2 (2.5-4.6s): Medium at the front door: Malik opens it, daylight spills in, he steps out without looking back and the door swings shut; static, slight tilt up as the door closes; hard cut on "I". Shot 3 (4.6-7.8s): Wide: Tasha alone in the long hallway, still holding the folded hoodie, leans her shoulder on the wall beside Malik's open bedroom door, lips closed; slow pull-back that makes the hall feel long; soft dissolve to dawn on "He picked". Shot 4 (7.8-11.0s): Flashback, Malik's bedroom at dawn: close on his phone on the nightstand buzzing with its alarm; behind it Malik sleeps on, mouth open, under the patchwork quilt; slow rack focus from phone to Malik; hard cut on "and nobody". Screen text exactly: Phone: "6:30 AM" in large digits, label "Alarm", buttons "Snooze" and "Stop". Shot 5 (11.0-16.0s): Medium-wide from beside the bed: Tasha in the doorway cups her hands and calls his name, again and again (silent open-mouth call, not singing); Malik pulls the pillow over his head; quick push-in on Tasha on each call; hard cut to the close-up on "Their". Sound: a phone alarm buzzing, the front door closing. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 11-second vertical 9:16 dramatic scene, 3 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片4 with 图片5 is Malik, 14, her son, short twists, gray t-shirt and navy joggers. 图片6 is Malik's bedroom at Tasha's house; keep its layout. Only Tasha and Malik exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-3.4s): Close-up: Tasha sits on the edge of Malik's neatly made, empty bed in afternoon light, one hand on his pillow, eyes glistening, lips closed; slow push-in; hard cut on "Fourteen". Shot 2 (3.4-6.3s): Flashback, dawn, medium: Tasha tugs the quilt off sleeping Malik; he curls into a ball with his eyes shut; quick tilt down with the quilt; hard cut on "He left". Shot 3 (6.3-11.0s): Wide, afternoon: the bedroom half-empty, closet open on bare hangers, desk cleared; Tasha stands in the middle holding one empty hanger; slow pull-back out through the doorway; cut to the wedding on "I'm in". Sound: quilt rustle, hangers clinking. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 4. Never show the grid, gutters or panels. 15-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 with 图片5 is Malik, 14, her son, short twists, navy suit and tie. 图片6 with 图片7 is Darnell, 40, her ex-husband, full beard, black tuxedo. 图片8 with 图片9 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片10 is the wedding ceremony hall; keep its layout. Only Tasha, Malik, Darnell and Simone exist, plus a few far, soft-focus wedding guests who never resemble them; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-3.1s): Medium-close from the aisle: Tasha seated on the aisle chair of the third row in her dusty-rose dress, hands folded in her lap, watching the altar; a few far, soft-focus guests behind; slow dolly along the row; hard cut on "my son". Shot 2 (3.1-6.5s): Wide down the aisle from Tasha's row: under the white-rose arch Darnell and Simone hold hands; Malik in his navy suit stands right beside Simone, gazing up at her adoringly; slow push toward the altar; hard cut on "grinning". Shot 3 (6.5-10.3s): Medium-close at the altar: Malik grins wide; Simone glances at him and smiles back; Darnell's shoulder in frame; slight arc around Malik; hard cut on "That boy". Shot 4 (10.3-15.0s): Close-up: Tasha, lips pressed closed, jaw tight, eyes glistening, watching; slow push-in; hard cut on "I'm holding". Sound: soft room tone. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 4. Never show the grid, gutters or panels. 16-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 with 图片5 is Malik, 14, her son, short twists, navy suit and tie. 图片6 is Darnell, 40, her ex-husband, full beard, black tuxedo. 图片7 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片8 is the wedding ceremony hall; keep its layout. 图片9 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Malik's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. Only Tasha, Malik, Darnell and Simone exist, plus a few far, soft-focus wedding guests who never resemble them; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-5.7s): Tight close: Tasha's fingertips at her chin, she blinks fast, swallows, takes one steadying breath, lips closed; very slow push-in; cut on the instrumental swell. Shot 2 (5.7-10.0s): Wide from the back end of the aisle: Darnell and Simone walk arm in arm down the aisle toward camera, Malik a few steps behind them; a few far guests standing soft-focus at the sides; slow dolly back ahead of them; hard cut on "passes". Shot 3 (10.0-11.8s): Over Tasha's shoulder (she is seated, aisle on her right): Malik walks past at arm's length, his left arm swinging; whip pan following Malik; hard cut on "and I saw". Shot 4 (11.8-16.0s): Insert at Tasha's eye level: Malik's left hand and forearm swing past, navy suit cuff riding up, the slim plain black band on his wrist (dark, idle); his elbow and side of his jacket in frame; slow-motion tracking alongside the arm; hard cut on "I forgot". Screen text exactly: Band dark (idle). Sound: footsteps on the aisle runner. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 3 and 4. Never show the grid, gutters or panels. 13-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 with 图片5 is Malik, 14, her son, short twists, navy suit and tie. 图片6 is Darnell, 40, her ex-husband, full beard, black tuxedo. 图片7 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片8 is the wedding ceremony hall; keep its layout. 图片9 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Malik's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. Only Tasha, Malik, Darnell and Simone exist, plus a few far, soft-focus wedding guests who never resemble them; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-2.6s): Close-up: Tasha's tears stop, her eyes go wide, brows lift, lips closed; quick push-in; hard cut. Shot 2 (2.6-5.5s): Wide from the back of the hall: the couple and Malik reach the rear doors; small in the third row, Tasha twists in her chair to look after Malik; slow pan; hard cut on "A plain". Shot 3 (5.5-9.0s): Insert, hand and forearm: Malik's left forearm swinging gently at his side, the band clearly one plain slim ribbed black strap, no face, no screen, dark; slow track alongside; hard cut on "The kind". Screen text exactly: Band dark (idle). Shot 4 (9.0-13.0s): Medium-close: Tasha's whole head turns until her chin is over her shoulder, braids swinging, eyes locked on the doors; whip pan with her head turn; hard cut on "The kind". Sound: soft room tone. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 10-second vertical 9:16 dramatic scene, 3 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 is Malik, 14, her son, short twists, navy suit and tie. 图片5 with 图片6 is Darnell, 40, her ex-husband, full beard, black tuxedo. 图片7 with 图片8 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片9 is the wedding ceremony hall; keep its layout. Only Tasha, Malik, Darnell and Simone exist, plus a few far, soft-focus wedding guests who never resemble them; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-3.8s): Close: Tasha narrows her eyes and leans forward in her chair, tapping one finger on her chin; slow push-in; hard cut on "even though". Shot 2 (3.8-7.3s): Medium-wide at the rear doors: Darnell lifts Simone's hand and kisses it; she beams; Malik grins beside them; slow arc around the couple; hard cut on "in front of". Shot 3 (7.3-10.0s): High wide from above the floral arch looking down the hall: a few rows of far, soft-focus guests stand and applaud the couple at the doors; Tasha, small in the third row, is the only one still seated; slow crane up; cut to the reception on "Reception". Sound: applause. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 4 and 5. Never show the grid, gutters or panels. 12-second vertical 9:16 dramatic scene, 5 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 with 图片5 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片6 is the reception hall and bar; keep its layout. Only Tasha and Simone exist, plus a few far, soft-focus wedding guests who never resemble them; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Only Tasha speaks, only her two quoted lines, lip-synced to 音频1 at those times; everyone else's lips stay closed. Shot 1 (0.0-1.3s): Wide establishing: the reception hall at night; Simone sits alone on a stool at the long bar on the right sipping champagne; a few far soft-focus guests on the dance floor; slow push toward the bar; hard cut on "waited". Shot 2 (1.3-4.8s): Medium: Tasha at a round table watches the bar over the rim of her glass, then sets the glass down and stands; rack focus from the glass to Tasha; hard cut on "Kept". Shot 3 (4.8-7.0s): Medium tracking: Tasha walks up to the bar smoothing her dress, puts on a sweet smile, slides onto the stool beside Simone; tracking shot; hard cut on "You look". Shot 4 (7.0-9.7s): Side-by-side two-shot at the bar: Tasha says "You look beautiful." warmly; Simone turns, touched, hand on her chest, lips closed; slow push on the two-shot; hard cut on "What's". Shot 5 (9.7-12.0s): Close on Tasha: she nods toward the dance floor off-screen and says "What's that on his wrist?"; Simone's shoulder soft in the foreground; static close; hard cut on "She said". Sound: glasses clinking, soft room tone. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 3 and 4. Never show the grid, gutters or panels. 13-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 with 图片5 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片6 is the reception hall and bar; keep its layout. Only Tasha and Simone exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Only Simone speaks, only her quoted lines, lip-synced to 音频1 at those times; Tasha's lips stay closed (Simone's laugh is silent). Shot 1 (0.0-4.5s): Medium-close on Simone, Tasha's shoulder in the foreground: Simone glances toward the dance floor, turns back and says "It's called Dawn Band. It buzzes on his wrist till he gets up.", tapping her own left wrist; slow push-in; hard cut to Tasha's reaction. Shot 2 (4.5-5.8s): Close on Tasha: brows lift a little, she nods, lips closed, taking it in; static; hard cut on "Honestly". Shot 3 (5.8-10.7s): Two-shot: Simone leans in conspiratorially and says "Honestly, his dad thinks it's his parenting.", rolls her eyes playfully, then sips her champagne; Tasha listens, lips closed; slow push on the two-shot; hard cut on "And she laughed". Shot 4 (10.7-13.0s): Medium: Simone throws her head back laughing; Tasha smiles along politely, lips closed; slight push; hard cut to Tasha close. Sound: glasses clinking. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening of Shot 1, the opening of Shot 3 and Shot 3's end pose. Never show the grid, gutters or panels. 11-second vertical 9:16 dramatic scene, 3 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, in a dusty-rose satin dress and nude heels. 图片4 with 图片5 is Simone, 32, his bride, short curly bob, ivory gown and short veil. 图片6 is the reception hall and bar; keep its layout. 图片7 is Tasha's kitchen; keep its layout. 图片8 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Malik's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. Only Tasha and Simone exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-3.7s): Close-up: Tasha, Simone laughing soft-focus beside her; Tasha's polite smile turns slowly into a knowing smile, lips closed; slow push-in; hold into the clink. Shot 2 (3.7-7.4s): Two-shot at the bar: Tasha clinks her flute against Simone's, slides off the stool and walks away; Simone waves after her; slow pull-back; hard cut to the kitchen on "Ordered". Shot 3 (7.4-11.0s): Tasha's kitchen at night, medium: still in the dusty-rose dress and heels, clutch dropped on the island, Tasha holds up her phone, taps, then steps out of her heels; the screen faces camera; push-in to the phone; hard cut to dawn on "His week". Screen text exactly: Phone: a photo of the slim black band, "Dawn Band", and a green banner "Order placed". Sound: a glass clink, heels dropping on the floor. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 3 and 4. Never show the grid, gutters or panels. 10-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Malik, 14, her son, short twists, gray t-shirt and navy joggers. 图片4 with 图片3 is Malik, 14, her son, short twists, green hoodie, jeans and a black backpack. 图片5 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片6 is Malik's bedroom at Tasha's house; keep its layout. 图片7 is the inside of Tasha's silver SUV; keep its layout. 图片8 is Darnell's house front with Tasha's silver SUV at the curb; keep its layout. 图片9 is the Dawn Band: one slim plain black ribbed silicone wristband, 18 mm wide, on Malik's LEFT wrist; match it exactly, add nothing, never a smartwatch or a wide cuff. 图片10 shows its white LED time digits lit through the strap, running along the strap. Only Malik and Tasha exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-2.1s): Wrist macro at dawn: Malik's left forearm rests on the quilt, the band lit "06:30" along the strap; small curved white ripple marks pulse beside the band, gentle then stronger; his shoulder and sleeping face soft behind; slow push-in; hard cut on "a couple". Screen text exactly: Band LED: "06:30". Shot 2 (2.1-4.1s): Medium: Malik's eyes open, he sits up and swings both feet onto the floor, rubbing his eyes, band on his left wrist, his other hand never touches it; tilt down to his feet on the floor; hard cut on "Dropped". Shot 3 (4.1-6.5s): From the back seat: Tasha drives (left), Malik wide awake in his green hoodie (right); the car rolls to a stop at the curb; slight push between the seats; hard cut on "ten minutes". Screen text exactly: Dashboard clock: "7:50". Shot 4 (6.5-10.0s): Wide from the sidewalk: Malik hops out, backpack on both shoulders, walks up the path to the navy front door; Tasha a step behind; slow pan following them; hard cut on "This man". Sound: a soft band buzz, a car door, footsteps. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 4. Never show the grid, gutters or panels. 13-second vertical 9:16 dramatic scene, 5 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Darnell, 40, her ex-husband, full beard, light-blue shirt and gray chinos. 图片4 with 图片5 is Simone, 32, his new wife, short curly bob, lilac lounge set. 图片6 with 图片7 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片8 is Malik, 14, her son, short twists, green hoodie, jeans and a black backpack. 图片9 is Darnell's house front with Tasha's silver SUV at the curb; keep its layout. Only Darnell, Simone, Tasha and Malik exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-2.2s): Medium from the porch: the navy front door swings open; Darnell in a light-blue shirt holds a coffee mug and freezes mid-step, mug halfway up; quick push-in; hard cut on "Stood". Shot 2 (2.2-3.6s): Reverse over Darnell's shoulder: Tasha and Malik on the porch, Malik in the green hoodie with his backpack on, standing tall and awake; Tasha with a calm polite smile; static; hard cut on "Forgot". Shot 3 (3.6-6.5s): Close: Darnell lifts a finger as if to speak, mouth half-open, says nothing, lowers the finger, blinks; slow push-in; hard cut on "His new wife". Shot 4 (6.5-10.3s): Medium-wide through the doorway: Simone in a lilac lounge set stands in the entry hall behind Darnell, arms crossed, head tilted; Malik slips past Darnell into the house; rack focus from Darnell's shoulder to Simone; hard cut on "and his eyes". Shot 5 (10.3-13.0s): Close-up: Darnell's eyes locked forward on Tasha, unblinking; slow push-in; hard cut on "He walked". Sound: the door opening, footsteps. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 4. Never show the grid, gutters or panels. 15-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Darnell, 40, her ex-husband, full beard, light-blue shirt and gray chinos. 图片4 with 图片5 is Simone, 32, his new wife, short curly bob, lilac lounge set. 图片6 with 图片7 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片8 is Darnell's house front with Tasha's silver SUV at the curb; keep its layout. Only Darnell, Simone and Tasha exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-3.4s): Wide from the sidewalk: Darnell, still holding his mug, walks beside Tasha down the front path toward her silver SUV at the curb; slow dolly back ahead of them; hard cut on "his wife". Shot 2 (3.4-7.0s): Medium from the path looking back up: Simone leans in the open doorway, arms crossed, watching; slow push-in; hard cut on "watching". Shot 3 (7.0-11.6s): Wide over Simone's shoulder from the doorway: down at the curb Darnell opens the car door for Tasha; static over-shoulder, slight push; hard cut on "asking". Shot 4 (11.6-15.0s): Medium at the car: Darnell leans on the open door, palms up, eyebrows raised, eager, lips closed; Tasha just smiles and slides into the driver's seat; slow arc; cut to night on "That night". Sound: footsteps, a car door. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 13-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片4 is Tasha's kitchen; keep its layout. Only Tasha exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-2.1s): Wide: the kitchen at night under three pendant lamps; Tasha alone at the island in her cream sweater with a mug of tea, phone face-up beside it; slow push-in; hard cut on "phone". Shot 2 (2.1-5.1s): Close: the phone on the butcher block lights up with a message notification; Tasha's hand reaches in; slow push-in; hard cut on the message. Screen text exactly: Lock screen: "9:14", notification from "Darnell". Shot 3 (5.1-11.5s): Over Tasha's shoulder: the phone in her hands shows the message thread from "Darnell" with one gray bubble; slow push in on the screen; hard cut to Tasha. Screen text exactly: Gray bubble: "He was up before you all week. He says he wants school weeks at your place now. What did you do?". Shot 4 (11.5-13.0s): Close: Tasha reads it; one eyebrow lifts, lips closed; static; hard cut. Sound: a phone buzz. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 10-second vertical 9:16 dramatic scene, 3 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片4 with 图片5 is Malik, 14, her son, short twists, gray t-shirt and navy joggers. 图片6 is Tasha's kitchen; keep its layout. 图片7 is Malik's bedroom at Tasha's house; keep its layout. Only Tasha and Malik exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-4.1s): Close-up: Tasha staring at the phone, its glow on her face, jaw set, lips closed; slow push-in; dissolve to the flashback on "I couldn't". Shot 2 (4.1-7.7s): Flashback, cool dawn: Malik's bedroom; Tasha in the doorway, arms crossed, tired; Malik a lump under the quilt with the pillow over his head; slow push-in; dissolve back to the kitchen. Shot 3 (7.7-10.0s): Kitchen, close: a slow smirk spreads on Tasha's face, lips closed; she lifts the phone in both hands, thumbs ready; static; hard cut on "I typed". Sound: soft room tone. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.

图片1 is the storyboard: its 3 vertical panels, left to right, are the opening compositions of Shots 1, 2 and 3. Never show the grid, gutters or panels. 11-second vertical 9:16 dramatic scene, 4 shots, modern Disney-feature 3D animation: expressive stylized faces, soft rounded shapes, matte materials with simplified realistic texture, cinematic lighting from each scene's real light sources with gentle rim light and depth of field. 图片2 with 图片3 is Tasha, 38, the mom, long box braids, cream sweater and brown trousers. 图片4 is Tasha's kitchen; keep its layout. Only Tasha exist; nobody else on screen. 音频1 is the song; use it only for timing: cut on its phrases; nobody on screen sings it. Nobody speaks; lips stay closed. Shot 1 (0.0-2.5s): Close on the phone in both her hands: thumbs type in the reply field under Darnell's gray bubble; static; hard cut on "Ask her". Screen text exactly: Gray bubble from "Darnell": "He was up before you all week. He says he wants school weeks at your place now. What did you do?"; status bar "9:16"; keyboard open. Shot 2 (2.5-6.3s): Screen close: a blue reply bubble "Ask her." pops in under his message; static; hard cut on "Left it". Screen text exactly: Same gray bubble on top; below it a blue bubble: "Ask her.". Shot 3 (6.3-8.4s): Close: under her blue bubble the small label "Delivered", no reply; she sets the phone face-up on the counter and slides it away; slow push; hard cut to the end wide. Screen text exactly: Same gray bubble; blue bubble "Ask her." with the small label "Delivered" under it. Shot 4 (8.4-11.0s): Medium: Tasha sips her tea with a small satisfied smile and switches off the pendant lamps; slow pull-back; end. Sound: phone keyboard taps, a light switch. No music, no narration. No captions, titles, labels, disclaimers, logos or watermarks; no text at the bottom of the frame.






















Song songs/cut/s3-take1.mp3 (183.16 s); times from songs/cut/s3-take1.words.json. Tags: see tags.md. Look: modern Disney-feature 3D (house Pixar-style, mirrors the source's soft 3D). Only the listed characters exist; wedding guests are few, far, soft-focus and never look-alikes of the cast. Every shot: visible action + camera move + planned transition. Drawn = panel on that clip's canvas (P1-P3). No captions/labels/text at the bottom of the frame.
Cast: Tasha (mom/narrator, 38, long box braids, deep brown skin) · Malik (son, 14, short twists) · Darnell (ex-husband, 40, full beard) · Simone (new wife, 32, curly bob).
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 0.00-2.50 | 0.0-2.5 | My son picked his dad's house | NARR | Wide down the hallway: Malik, black duffel bag on one shoulder, walks away toward the front door at the far end; Tasha in her bedroom doorway in the foreground right, holding his folded gray hoodie, watching him go | slow push down the hallway | hard cut on "three" | - | Tasha, Malik | P1 |
| 2 | 2.50-4.60 | 2.5-4.6 | three weeks after the wedding. | NARR | Medium at the front door: Malik opens it, daylight spills in, he steps out without looking back and the door swings shut | static, slight tilt up as the door closes | hard cut on "I" | - | Malik | |
| 3 | 4.60-7.80 | 4.6-7.8 | I was right down the hall. | NARR | Wide: Tasha alone in the long hallway, still holding the folded hoodie, leans her shoulder on the wall beside Malik's open bedroom door, lips closed | slow pull-back that makes the hall feel long | soft dissolve to dawn on "He picked" | - | Tasha | |
| 4 | 7.80-11.00 | 7.8-11.0 | He picked their house because over there he's up on time | NARR | Flashback, Malik's bedroom at dawn: close on his phone on the nightstand buzzing with its alarm; behind it Malik sleeps on, mouth open, under the patchwork quilt | slow rack focus from phone to Malik | hard cut on "and nobody" | Phone: "6:30 AM" in large digits, label "Alarm", buttons "Snooze" and "Stop" | Malik | P2 |
| 5 | 11.00-15.50 | 11.0-15.5 | and nobody yells his name ten times. | NARR | Medium-wide from beside the bed: Tasha in the doorway cups her hands and calls his name, again and again (silent open-mouth call, not singing); Malik pulls the pillow over his head | quick push-in on Tasha on each call | hard cut to the close-up on "Their" | - | Tasha, Malik | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 15.50-18.90 | 0.0-3.4 | Their house has something mine doesn't. | INNER | Close-up: Tasha sits on the edge of Malik's neatly made, empty bed in afternoon light, one hand on his pillow, eyes glistening, lips closed | slow push-in | hard cut on "Fourteen" | - | Tasha | P1 |
| 2 | 18.90-21.80 | 3.4-6.3 | Fourteen years I woke that boy up. | NARR | Flashback, dawn, medium: Tasha tugs the quilt off sleeping Malik; he curls into a ball with his eyes shut | quick tilt down with the quilt | hard cut on "He left" | - | Tasha, Malik | P2 |
| 3 | 21.80-25.60 | 6.3-10.1 | He left in a weekend. | NARR | Wide, afternoon: the bedroom half-empty, closet open on bare hangers, desk cleared; Tasha stands in the middle holding one empty hanger | slow pull-back out through the doorway | cut to the wedding on "I'm in" | - | Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 25.60-28.70 | 0.0-3.1 | I'm in the third row watching | NARR | Medium-close from the aisle: Tasha seated on the aisle chair of the third row in her dusty-rose dress, hands folded in her lap, watching the altar; a few far, soft-focus guests behind | slow dolly along the row | hard cut on "my son" | - | Tasha (+ few far soft guests) | P1 |
| 2 | 28.70-32.10 | 3.1-6.5 | my son stand next to her at the altar like she hung the moon, | NARR | Wide down the aisle from Tasha's row: under the white-rose arch Darnell and Simone hold hands; Malik in his navy suit stands right beside Simone, gazing up at her adoringly | slow push toward the altar | hard cut on "grinning" | - | Darnell, Simone, Malik | P2 |
| 3 | 32.10-35.90 | 6.5-10.3 | grinning through their vows. | NARR | Medium-close at the altar: Malik grins wide; Simone glances at him and smiles back; Darnell's shoulder in frame | slight arc around Malik | hard cut on "That boy" | - | Malik, Simone, Darnell | |
| 4 | 35.90-40.32 | 10.3-14.7 | That boy hasn't smiled at me before noon in two years. | INNER | Close-up: Tasha, lips pressed closed, jaw tight, eyes glistening, watching | slow push-in | hard cut on "I'm holding" | - | Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 40.32-46.00 | 0.0-5.7 | I'm holding it together with everything I got. | NARR | Tight close: Tasha's fingertips at her chin, she blinks fast, swallows, takes one steadying breath, lips closed | very slow push-in | cut on the instrumental swell | - | Tasha | P1 |
| 2 | 46.00-50.30 | 5.7-10.0 | Then my son walks back down that aisle, | NARR | Wide from the back end of the aisle: Darnell and Simone walk arm in arm down the aisle toward camera, Malik a few steps behind them; a few far guests standing soft-focus at the sides | slow dolly back ahead of them | hard cut on "passes" | - | Darnell, Simone, Malik | P2 |
| 3 | 50.30-52.10 | 10.0-11.8 | passes right by me, | NARR | Over Tasha's shoulder (she is seated, aisle on her right): Malik walks past at arm's length, his left arm swinging | whip pan following Malik | hard cut on "and I saw" | - | Tasha, Malik | |
| 4 | 52.10-55.80 | 11.8-15.5 | and I saw it on his wrist. | NARR | Insert at Tasha's eye level: Malik's left hand and forearm swing past, navy suit cuff riding up, the slim plain black band on his wrist (dark, idle); his elbow and side of his jacket in frame | slow-motion tracking alongside the arm | hard cut on "I forgot" | Band dark (idle) | Malik | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 55.80-58.40 | 0.0-2.6 | I forgot all about being sad. | INNER | Close-up: Tasha's tears stop, her eyes go wide, brows lift, lips closed | quick push-in | hard cut | - | Tasha | P1 |
| 2 | 58.40-61.30 | 2.6-5.5 | (sad, held) | INNER | Wide from the back of the hall: the couple and Malik reach the rear doors; small in the third row, Tasha twists in her chair to look after Malik | slow pan | hard cut on "A plain" | - | Tasha, Malik, Darnell, Simone (+ few far soft guests) | |
| 3 | 61.30-64.80 | 5.5-9.0 | A plain black band. Not a watch. | NARR | Insert, hand and forearm: Malik's left forearm swinging gently at his side, the band clearly one plain slim ribbed black strap, no face, no screen, dark | slow track alongside | hard cut on "The kind" | Band dark (idle) | Malik | P2 |
| 4 | 64.80-68.30 | 9.0-12.5 | The kind where your whole head turns. | NARR | Medium-close: Tasha's whole head turns until her chin is over her shoulder, braids swinging, eyes locked on the doors | whip pan with her head turn | hard cut on "The kind" | - | Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 68.30-72.10 | 0.0-3.8 | The kind where you need to know what it is, | NARR | Close: Tasha narrows her eyes and leans forward in her chair, tapping one finger on her chin | slow push-in | hard cut on "even though" | - | Tasha | P1 |
| 2 | 72.10-75.60 | 3.8-7.3 | even though she's the woman marrying your ex-husband | NARR | Medium-wide at the rear doors: Darnell lifts Simone's hand and kisses it; she beams; Malik grins beside them | slow arc around the couple | hard cut on "in front of" | - | Darnell, Simone, Malik | P2 |
| 3 | 75.60-78.17 | 7.3-9.9 | in front of God and everybody. | NARR | High wide from above the floral arch looking down the hall: a few rows of far, soft-focus guests stand and applaud the couple at the doors; Tasha, small in the third row, is the only one still seated | slow crane up | cut to the reception on "Reception" | - | Tasha, Darnell, Simone, Malik (+ few far soft guests) | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 78.17-79.50 | 0.0-1.3 | Reception, | NARR | Wide establishing: the reception hall at night; Simone sits alone on a stool at the long bar on the right sipping champagne; a few far soft-focus guests on the dance floor | slow push toward the bar | hard cut on "waited" | - | Simone (+ few far soft guests) | P1 |
| 2 | 79.50-83.00 | 1.3-4.8 | waited till she was at the bar alone. | NARR | Medium: Tasha at a round table watches the bar over the rim of her glass, then sets the glass down and stands | rack focus from the glass to Tasha | hard cut on "Kept" | - | Tasha | |
| 3 | 83.00-85.20 | 4.8-7.0 | Kept it sweet. | NARR | Medium tracking: Tasha walks up to the bar smoothing her dress, puts on a sweet smile, slides onto the stool beside Simone | tracking shot | hard cut on "You look" | - | Tasha, Simone | |
| 4 | 85.20-87.90 | 7.0-9.7 | "You look beautiful." | QUOTED Tasha | Side-by-side two-shot at the bar: Tasha says "You look beautiful." warmly; Simone turns, touched, hand on her chest, lips closed | slow push on the two-shot | hard cut on "What's" | - | Tasha, Simone | P2 |
| 5 | 87.90-90.10 | 9.7-11.9 | "What's that on his wrist?" | QUOTED Tasha | Close on Tasha: she nods toward the dance floor off-screen and says "What's that on his wrist?"; Simone's shoulder soft in the foreground | static close | hard cut on "She said" | - | Tasha, Simone | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 90.10-94.60 | 0.0-4.5 | She said, "It's called Dawn Band. It buzzes on his wrist till he gets up." | QUOTED Simone | Medium-close on Simone, Tasha's shoulder in the foreground: Simone glances toward the dance floor, turns back and says "It's called Dawn Band. It buzzes on his wrist till he gets up.", tapping her own left wrist | slow push-in | hard cut to Tasha's reaction | - | Simone, Tasha | P1 |
| 2 | 94.60-95.90 | 4.5-5.8 | (reaction) | NARR | Close on Tasha: brows lift a little, she nods, lips closed, taking it in | static | hard cut on "Honestly" | - | Tasha | |
| 3 | 95.90-100.80 | 5.8-10.7 | "Honestly, his dad thinks it's his parenting." | QUOTED Simone | Two-shot: Simone leans in conspiratorially and says "Honestly, his dad thinks it's his parenting.", rolls her eyes playfully, then sips her champagne; Tasha listens, lips closed | slow push on the two-shot | hard cut on "And she laughed" | - | Simone, Tasha | P2 |
| 4 | 100.80-102.50 | 10.7-12.4 | And she laughed. | NARR | Medium: Simone throws her head back laughing; Tasha smiles along politely, lips closed | slight push | hard cut to Tasha close | - | Simone, Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 102.50-106.20 | 0.0-3.7 | She had no idea she just handed me back my son at her own wedding. | INNER | Close-up: Tasha, Simone laughing soft-focus beside her; Tasha's polite smile turns slowly into a knowing smile, lips closed | slow push-in | hold into the clink | - | Tasha, Simone (soft) | P1 |
| 2 | 106.20-109.90 | 3.7-7.4 | (instrumental) | - | Two-shot at the bar: Tasha clinks her flute against Simone's, slides off the stool and walks away; Simone waves after her | slow pull-back | hard cut to the kitchen on "Ordered" | - | Tasha, Simone | |
| 3 | 109.90-112.90 | 7.4-10.4 | Ordered one before I took my heels off. | NARR | Tasha's kitchen at night, medium: still in the dusty-rose dress and heels, clutch dropped on the island, Tasha holds up her phone, taps, then steps out of her heels; the screen faces camera | push-in to the phone | hard cut to dawn on "His week" | Phone: a photo of the slim black band, "Dawn Band", and a green banner "Order placed" | Tasha | P2 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 112.90-115.00 | 0.0-2.1 | His week at my house, | NARR | Wrist macro at dawn: Malik's left forearm rests on the quilt, the band lit "06:30" along the strap; small curved white ripple marks pulse beside the band, gentle then stronger; his shoulder and sleeping face soft behind | slow push-in | hard cut on "a couple" | Band LED: "06:30" | Malik | P1 |
| 2 | 115.00-117.00 | 2.1-4.1 | a couple weeks later. | NARR | Medium: Malik's eyes open, he sits up and swings both feet onto the floor, rubbing his eyes, band on his left wrist, his other hand never touches it | tilt down to his feet on the floor | hard cut on "Dropped" | - | Malik | |
| 3 | 117.00-119.40 | 4.1-6.5 | Dropped him at his dad's Friday morning, | NARR | From the back seat: Tasha drives (left), Malik wide awake in his green hoodie (right); the car rolls to a stop at the curb | slight push between the seats | hard cut on "ten minutes" | Dashboard clock: "7:50" | Tasha, Malik | P2 |
| 4 | 119.40-122.40 | 6.5-9.5 | ten minutes early, dressed, backpack on. | NARR | Wide from the sidewalk: Malik hops out, backpack on both shoulders, walks up the path to the navy front door; Tasha a step behind | slow pan following them | hard cut on "This man" | - | Malik, Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 122.40-124.60 | 0.0-2.2 | This man opened the door and froze. | NARR | Medium from the porch: the navy front door swings open; Darnell in a light-blue shirt holds a coffee mug and freezes mid-step, mug halfway up | quick push-in | hard cut on "Stood" | - | Darnell | P1 |
| 2 | 124.60-126.00 | 2.2-3.6 | Stood there. | NARR | Reverse over Darnell's shoulder: Tasha and Malik on the porch, Malik in the green hoodie with his backpack on, standing tall and awake; Tasha with a calm polite smile | static | hard cut on "Forgot" | - | Tasha, Malik, Darnell (back) | P2 |
| 3 | 126.00-128.90 | 3.6-6.5 | Forgot what he was about to say. | NARR | Close: Darnell lifts a finger as if to speak, mouth half-open, says nothing, lowers the finger, blinks | slow push-in | hard cut on "His new wife" | - | Darnell | |
| 4 | 128.90-132.70 | 6.5-10.3 | His new wife standing in the hallway behind him, | NARR | Medium-wide through the doorway: Simone in a lilac lounge set stands in the entry hall behind Darnell, arms crossed, head tilted; Malik slips past Darnell into the house | rack focus from Darnell's shoulder to Simone | hard cut on "and his eyes" | - | Simone, Darnell, Malik | P3 |
| 5 | 132.70-135.40 | 10.3-13.0 | and his eyes locked on me. | NARR | Close-up: Darnell's eyes locked forward on Tasha, unblinking | slow push-in | hard cut on "He walked" | - | Darnell |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 135.40-138.80 | 0.0-3.4 | He walked me to my car, | NARR | Wide from the sidewalk: Darnell, still holding his mug, walks beside Tasha down the front path toward her silver SUV at the curb | slow dolly back ahead of them | hard cut on "his wife" | - | Darnell, Tasha | P1 |
| 2 | 138.80-142.40 | 3.4-7.0 | his wife in the doorway, | NARR | Medium from the path looking back up: Simone leans in the open doorway, arms crossed, watching | slow push-in | hard cut on "watching" | - | Simone | P2 |
| 3 | 142.40-147.00 | 7.0-11.6 | watching her brand-new husband walk his ex-wife to her car, | NARR | Wide over Simone's shoulder from the doorway: down at the curb Darnell opens the car door for Tasha | static over-shoulder, slight push | hard cut on "asking" | - | Simone (back), Darnell, Tasha | |
| 4 | 147.00-150.00 | 11.6-14.6 | asking how I did it. | NARR | Medium at the car: Darnell leans on the open door, palms up, eyebrows raised, eager, lips closed; Tasha just smiles and slides into the driver's seat | slow arc | cut to night on "That night" | - | Darnell, Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 150.00-152.10 | 0.0-2.1 | That night, | NARR | Wide: the kitchen at night under three pendant lamps; Tasha alone at the island in her cream sweater with a mug of tea, phone face-up beside it | slow push-in | hard cut on "phone" | - | Tasha | P1 |
| 2 | 152.10-155.10 | 2.1-5.1 | phone lights up. Him. | NARR | Close: the phone on the butcher block lights up with a message notification; Tasha's hand reaches in | slow push-in | hard cut on the message | Lock screen: "9:14", notification from "Darnell" | Tasha (hand) | P2 |
| 3 | 155.10-161.50 | 5.1-11.5 | (his text, sung) | TEXT | Over Tasha's shoulder: the phone in her hands shows the message thread from "Darnell" with one gray bubble | slow push in on the screen | hard cut to Tasha | Gray bubble: "He was up before you all week. He says he wants school weeks at your place now. What did you do?" | Tasha | P3 |
| 4 | 161.50-162.80 | 11.5-12.8 | (reaction) | NARR | Close: Tasha reads it; one eyebrow lifts, lips closed | static | hard cut | - | Tasha |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 162.80-166.90 | 0.0-4.1 | This man spent two years telling everybody | INNER | Close-up: Tasha staring at the phone, its glow on her face, jaw set, lips closed | slow push-in | dissolve to the flashback on "I couldn't" | - | Tasha | P1 |
| 2 | 166.90-170.50 | 4.1-7.7 | I couldn't get my own kid out of bed. | INNER | Flashback, cool dawn: Malik's bedroom; Tasha in the doorway, arms crossed, tired; Malik a lump under the quilt with the pillow over his head | slow push-in | dissolve back to the kitchen | - | Tasha, Malik | P2 |
| 3 | 170.50-172.60 | 7.7-9.8 | (instrumental) | INNER | Kitchen, close: a slow smirk spreads on Tasha's face, lips closed; she lifts the phone in both hands, thumbs ready | static | hard cut on "I typed" | - | Tasha | P3 |
| # | Song time | Clip time | Lyric | Tag | Action (picture) | Camera | Transition | In-scene text | Characters | Drawn |
|---|---|---|---|---|---|---|---|---|---|---|
| 1 | 172.60-175.10 | 0.0-2.5 | I typed back two words. | TEXT | Close on the phone in both her hands: thumbs type in the reply field under Darnell's gray bubble | static | hard cut on "Ask her" | Gray bubble from "Darnell": "He was up before you all week. He says he wants school weeks at your place now. What did you do?"; status bar "9:16"; keyboard open | Tasha (hands) | P1 |
| 2 | 175.10-178.90 | 2.5-6.3 | "Ask her." | TEXT | Screen close: a blue reply bubble "Ask her." pops in under his message | static | hard cut on "Left it" | Same gray bubble on top; below it a blue bubble: "Ask her." | Tasha (hands) | P2 |
| 3 | 178.90-181.00 | 6.3-8.4 | Left it on delivered. | NARR | Close: under her blue bubble the small label "Delivered", no reply; she sets the phone face-up on the counter and slides it away | slow push | hard cut to the end wide | Same gray bubble; blue bubble "Ask her." with the small label "Delivered" under it | Tasha (hand) | P3 |
| 4 | 181.00-183.16 | 8.4-10.6 | (outro) | - | Medium: Tasha sips her tea with a small satisfied smile and switches off the pendant lamps | slow pull-back | end | - | Tasha |
Each clip = one Kling 4.0 omni_ref generation, 1080p 9:16, enable_audio false; the song slice audio/clip-XX.mp3 (exact span, padded with silence to the Kling length) is 音频1 for timing only. Spare picture at the end is trimmed in the edit.
| Clip | Song span (s) | Span | Kling length | Shots | Lines | Place / light | Refs after canvas |
|---|---|---|---|---|---|---|---|
| 01 | 0.00-15.50 | 15.50 s | 16 s | 5 | My son picked his dad's hous… | Tasha's hallway, afternoon -> Malik's bedroom, dawn flashback | tasha, tasha_exp, malik, malik_exp, hallway, bedroom |
| 02 | 15.50-25.60 | 10.10 s | 11 s | 3 | Their house has something mi… | Malik's bedroom: afternoon (present) / dawn (flashback) | tasha, tasha_exp, malik, malik_exp, bedroom |
| 03 | 25.60-40.32 | 14.72 s | 15 s | 4 | I'm in the third row watchin… | Wedding ceremony hall, warm late afternoon | tasha_dress, tasha_exp, malik_suit, malik_exp, darnell, darnell_exp, simone, simone_exp, ceremony |
| 04 | 40.32-55.80 | 15.48 s | 16 s | 4 | I'm holding it together with… | Wedding ceremony hall, recessional | tasha_dress, tasha_exp, malik_suit, malik_exp, darnell, simone, ceremony, band |
| 05 | 55.80-68.30 | 12.50 s | 13 s | 4 | I forgot all about being sad… | Wedding ceremony hall, recessional | tasha_dress, tasha_exp, malik_suit, malik_exp, darnell, simone, ceremony, band |
| 06 | 68.30-78.17 | 9.87 s | 10 s | 3 | The kind where you need to k… | Wedding ceremony hall, couple at the doors | tasha_dress, tasha_exp, malik_suit, darnell, darnell_exp, simone, simone_exp, ceremony |
| 07 | 78.17-90.10 | 11.93 s | 12 s | 5 | Reception,… | Reception hall, night, the bar | tasha_dress, tasha_exp, simone, simone_exp, reception |
| 08 | 90.10-102.50 | 12.40 s | 13 s | 4 | She said, "It's called Dawn … | Reception hall, night, the bar | tasha_dress, tasha_exp, simone, simone_exp, reception |
| 09 | 102.50-112.90 | 10.40 s | 11 s | 3 | She had no idea she just han… | Reception bar -> Tasha's kitchen, night | tasha_dress, tasha_exp, simone, simone_exp, reception, kitchen, band |
| 10 | 112.90-122.40 | 9.50 s | 10 s | 4 | His week at my house,… | Malik's bedroom dawn -> car -> dad's front path, Friday morning | malik, malik_exp, malik_school, tasha, bedroom, car, porch, band, band_led |
| 11 | 122.40-135.40 | 13.00 s | 13 s | 5 | This man opened the door and… | Dad's front porch and doorway, morning | darnell_casual, darnell_exp, simone_casual, simone_exp, tasha, tasha_exp, malik_school, porch |
| 12 | 135.40-150.00 | 14.60 s | 15 s | 4 | He walked me to my car,… | Dad's front path and curb, morning | darnell_casual, darnell_exp, simone_casual, simone_exp, tasha, tasha_exp, porch |
| 13 | 150.00-162.80 | 12.80 s | 13 s | 4 | That night,… | Tasha's kitchen, night | tasha, tasha_exp, kitchen |
| 14 | 162.80-172.60 | 9.80 s | 10 s | 3 | This man spent two years tel… | Tasha's kitchen, night / bedroom dawn flashback | tasha, tasha_exp, malik, malik_exp, kitchen, bedroom |
| 15 | 172.60-183.16 | 10.56 s | 11 s | 4 | I typed back two words.… | Tasha's kitchen, night | tasha, tasha_exp, kitchen |
Total Kling length: 189 s → ~2552 credits at 13.5/s (1080p). Covers the full 183.16 s song.
Song: songs/cut/s3-take1.mp3 (183.16 s), clock from songs/cut/s3-take1.words.json. Source grammar from videos/facebook_1725429335464339.mp4 (frames sampled at 3 s: third-row close-ups, altar wides, recessional, side-by-side bar two-shot, door freeze, wife in the doorway, phone on the table at night).
tags.md: all 28 lyric lines tagged. QUOTED: line 13 (Tasha: "You look beautiful. What's that on his wrist?") and 14b (Simone: "It's called Dawn Band… parenting."). TEXT on the phone screen, never sung on camera: line 25 (Darnell's message), 27 ("Ask her."), 28 ("Delivered"). INNER THOUGHT: 4, 7, 10, 16, 26. Everything else NARRATION (lips closed). No TO-CAMERA.storyboard.md: 58 shots across 15 clips. Each shot has song-clock + clip-relative times, lyric, tag, action, camera move, transition, in-scene text, characters, canvas panel. Source of truth: work/shots.py.clips.md: 15 clips, 9.5-15.5 s spans, each ending on a line break. Kling lengths total 189 s.refs/ (all clean, urlWithoutWatermark). Style is the house Disney-feature 3D, matching the source's soft 3D. Black cast:bedroom (Malik's room at mom's)hallway, kitchen (night), ceremony, reception (bar), porch (dad's house with mom's silver SUV at the curb), car (dashboard "7:50")tasha, malik, darnell (tux), simone (gown)tasha_dress, malik_suit, malik_school, darnell_casual, simone_casualband.png, band_led.jpg. Every URL is in refs/urls.txt; prompts are in refs/prompts/.canvases/clip-01…15.png (3 panels each, 16:9, all reviewed panel by panel). Prompts are in canvas-prompts/; *.v1.png are the pre-repair versions.kling/clip-XX.txt: 1,549-2,476 chars each, all ≤2,500. kling/clip-XX.inputs.txt has the ordered 图片 URLs (canvas, then cast/expression/wardrobe, plate, band), the 音频1 URL, and the slice's song-clock span.audio/clip-XX.mp3: exact song spans, padded with silence to the Kling length (all 10-16 s, inside the 5-30 s audio limit). Uploaded.shots.py, so the Kling prompt now carries the exact text too.band_led.jpg (digits along the strap), but per kling.md, macros can drift toward a smartwatch in video. Check that first.prod/tools/kie_img.py, ~6-10 kie credits each, separate balance). Only the final images get a kling file_upload (free). No stills were made after the switch, because none were outstanding.Next: Fish approves → submit each clip with kling omni_ref_video --model kling-video-v4_0 using kling/clip-XX.inputs.txt (--enable_audio false, 1080p, 9:16).